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  1. Lee Krasner, (Lee Pollock), Lee Pollock, Mrs. Jackson Pollock Date of birth 1908 ... Art & Artists. Explore the works in our collection and delve deeper into their ...

  2. 1966. Krasner reinvented her artistic style several times during the course of her career. In the mid-1960s her work took on a spirit of free invention, embodied in broad, sweeping strokes of paint—quite different from her smaller, thickly painted, and tightly controlled canvases of the late 1940s. Though she painted abstractly, Krasner ...

  3. Palingenesis (1971) by Lee Krasner Barbican Centre. In 1973 Krasner presented twelve new paintings at the Marlborough Gallery in New York. The show was met with positive reviews, with the canvases being described as ‘her most mature and beautiful [work] to date’. In contrast to the soft, biomorphic shapes undulating across her earlier ...

  4. Jun 4, 2019 · In a period of deep depression, Krasner produced dark, umber-hued paintings such as Polar Stampede, 1960 (Credit: The Pollock-Krasner Foundation) “Prophecy was painted at a moment when Pollock ...

  5. Nov 13, 2017 · Image Courtesy of Paul Kasmin Gallery. Made between 1959 and ’62, following Pollock’s death in a fatal car crash in 1956 (with his lover by his side), these all-over abstractions—called “umber” for their restricted palette of browns, creams, and whites—are neutral only in tone. Covered in knots of dense curves and slashes that might ...

  6. Kasmin’s current exhibition is presented in collaboration with the Pollock-Krasner Foundation, and although it includes a few works from the Krasner retrospective that travelled Europe from 2019 to 2021, it more importantly contains several (to my way of seeing, magnificent) masterpieces from the very debut of her collage paintings at the ...

  7. Apr 4, 2024 · Lee Krasner, Cool White, 1959, National Gallery of Australia, Canberra, Australia. However, painting was Krasner’s life, and she began working at night when she was unable to sleep. She let her emotions roll out into her paintings, which she created in the same barn that Pollock had used to paint his drip paintings.

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