Search results
Annibale Carracci, Venus Adorned by the Graces, 1590/1595, oil on panel transferred to canvas, Samuel H. Kress Collection, 1961.9.9. Venus with a Mirror (1555) was one of Titian’s most popular compositions, inspiring 15 copies and variants by the artist and his assistants. This is the original, which remained in the artist’s studio until ...
Jan 26, 2020 · 16 March – 14 June 2020. Main Floor Galleries. Artemisia. 4 April – 26 July 2020. Sainsbury Wing. The Credit Suisse Exhibition: Raphael. 3 October 2020 – 24 January 2021. North Galleries. Image: Leonardo: Experience a Masterpiece, commissioned & produced by the National Gallery and created by 59 Productions.
You've viewed 6 of 20 paintings. Get all the latest news from the Gallery's Bicentenary year, updates on exhibitions, plus occasional offers and information on how to support us. Titian, Noli me Tangere, about 1514. Read about this painting, learn the key facts and zoom in to discover more.
This novel and effective pose was to become highly influential in European portraiture, serving as a model for such famous pictures as Rembrandt’s Self Portrait at the Age of 34 of 1640, Van Dyck’s Self-Portrait of about 1640 (National Portrait Gallery, London) and Reynolds’s Self-Portrait of 1775 (Uffizi, Florence). The pose may have ...
Get all the latest news from the Gallery's Bicentenary year, updates on exhibitions, plus occasional offers and information on how to support us. Titian, Portrait of a Young Man, about 1515-20. Read about this painting, learn the key facts and zoom in to discover more.
Titian shows Actaeon in the process of transformation, while he is being torn to death by his own hounds. The death scene was rare in Italian art and Titian may never have seen another painting of it. While conceived around 1559, The Death of Actaeon was mostly painted when Titian was in his mid-eighties. It may not be entirely finished and ...
This picture is one of many versions of the subject painted by Titian and his studio. The most famous was delivered in 1554 to Prince Philip, later King Philip II of Spain, and is now in the Museo del Prado, Madrid. The National Gallery’s canvas was probably painted by an artist in Titian’s workshop, following his by then established design.
