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Deborah Kara Unger (born 12 May 1966) is a Canadian actress. She is known for her roles in the films Highlander III: The Sorcerer (1994), Crash (1996), The Game (1997), Payback (1999), The Hurricane (1999), White Noise (2005), Silent Hill (2006), 88 Minutes (2008) and The Way (2010).
Deborah Kara Unger was the first Canadian accepted into the prestigious Australian National Institute of Dramatic Art. She made her feature film debut in Blood Oath (1990), followed by roles in Christopher Crowe's Whispers in the Dark (1992), Till There Was You (1991), and Highlander: The Final Dimension (1994).
Deborah Kara Unger was the first Canadian accepted into the prestigious Australian National Institute of Dramatic Art. She made her feature film debut in Blood Oath (1990), followed by roles in Christopher Crowe's Whispers in the Dark (1992), Till There Was You (1991), and Highlander: The Final Dimension (1994).
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Deborah Unger (sometimes billed as Deborah Kara Unger) came to international prominence with her portrayal of Catherine Ballard, a troubled wife willing to explore the erotic...
Deborah Kara Unger is a Canadian actress. She is known for her roles in the films Highlander III: The Sorcerer, Crash, The Game, Payback, The Hurricane, White.
May 22, 2013 · Deborah Kara Unger, actress (born in BC). Deborah Kara Unger moved to Australia to study at the National Institute of Dramatic Arts, where she was cast in her first professional acting roles including Bangkok Hilton (1989), Blood Oath (1990) and Breakaway (1990).
DEBORAH KARA UNGER Date of Birth: May 12, 1966 Born in Vancouver, Canada, Deborah Unger studied philosophy and economics at the University of Victoria before becoming the first Canadian...
Nov 16, 2019 · Deborah Kara Unger is a Canadian actress, born on 12 May, 1966 in Vancouver, Canada. How old is Deborah Kara Unger? Deborah Kara Unger is 58 years old as of May 2024.
Dec 1, 2020 · But it is Deborah Kara Unger who delivers the film’s signature performance: she plays James’s wife, Catherine, as a series of precisely posed ice sculptures. However ostensibly erotic Catherine’s behavior, her endothermic characterization robs it of all heat and friction.
