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  1. Acting Winners. Melissa Leo, Christian Bale, Colin Firth and Natalie Portman. Aaron Sorkin. Writing (Adapted Screenplay) winner for The Social Network. Trent Reznor and Atticus Ross. Original Score winners for The Social Network. View More Memorable Moments.

  2. 3 days ago · In 2009, Slumdog Millionaire became the first film to win that was primarily shot on digital video. The following year Avatar was the first nominee and winner to be shot entirely on digital video. At the 90th Academy Awards, Rachel Morrison earned a nomination for her work on Mudbound , making her the first woman ever recognized in this category.

  3. en.wikipedia.org › wiki › Greig_FraserGreig Fraser - Wikipedia

    Greig Fraser, ACS, ASC is an Australian cinematographer.He won an Academy Award for Best Cinematography for his work on the 2021 sci-fi movie Dune.. His most well-known work includes the films Zero Dark Thirty (2012), Lion (2016), Rogue One (2016), Vice (2018), Dune (2021) and its sequel Dune: Part Two (2024), The Batman (2022) and The Creator (2023).

  4. First awarded. 1929. Most recent winner. Erik Messerschmidt. Mank ( 2020) Website. oscars .org. The Academy Award for Best Cinematography is an Academy Award. It is given each year to a cinematographer for work in one particular movie.

  5. Feb 23, 2009 · Full list of winners. Catherine Shoard. Mon 23 Feb 2009 00.02 EST. Slumdog Millionaire was the runaway winner at the 81st Academy Awards last night. Danny Boyle's Mumbai-set melodrama triumphed in ...

  6. Oct 14, 2009 · The cinematography in this film…whoa! The lighting and the colors…this is actually painting with light! Also, Spielberg is a master at combining big-budget action/VFX, plot/story/character, and superb technical expertise in production…why are so many other filmmakers/studios not able to do the same?

  7. Feb 17, 2010 · The Godfather (1972) Cinematographer: Gordon Willis. Won the 1973 Academy Award for Best Picture. Here is a very nice interview with Gordon Willis on his work on “The Godfather”. Last time I watched this movie I was struck by how few camera moves and tracking shots there were. Coppola/Willis were not afraid at all of static shots.

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