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Purchase Humoresque on digital and stream instantly or download offline. Academy Award winner Joan Crawford stars with John Garfield in a tour-de-force portrayal of playwright Clifford Odets drama of a brilliant young violinist from the slums whose career is fostered by an older, wealthy, alcoholic and sexually frustrated woman. While neither age, infidelity nor jealousy can end the illicit ...
Released December 25th, 1946, 'Humoresque' stars Joan Crawford, John Garfield, Oscar Levant, J. Carrol Naish The movie has a runtime of about 2 hr 5 min, and received a user score of 71 (out of ...
By Stephen Reginald on Jul 5, 2018 From Classic Movie Man. Screening of "Humoresque" at Daystar Center July 14 Humoresque (1946) Where: Daystar Center, 1550 S. State Street, Room 102 When: July 14, 2018 Time: 6:45 p.m. Hosted by Stephen Reginald Joan Crawford is Helen Wright, a wealthy patroness of the arts who is used to getting what she wa...
Humoresque (1947) -- (Movie Clip) Wagner Is A Storm For the first time in his own flashback, John Garfield appears as the mature New York working-class violinist Paul Boray, Eric DeLamarter his conductor, Joan Chandler his admiring fellow student Gina, Jean Negulesco directing, in Humoresque , 1947, starring Joan Crawford.
Humoresque, based on the Fanny Hurst novel and previously filmed as a silent in 1920, centers around Paul Boray, a gifted violinist from a poor immigrant family in depression-era New York. John Garfield, a brilliant and vastly under-appreciated actor, stars as Boray, and his performance is shaded with nuance and realism not often seen in motion ...
Humoresque is an unequaled exploration of the many layers between selfless love and selfish impulses excellently played by Joan Crawford. Skillfully directed by Jean Negulesco. It stars John Garfield, Joan Crawford, and Oscar Levant.
Oscar Levant is a delight as Garfield's wisecracking buddy, lightening the mood to prevent Humoresque from being totally humourless. As Garfield's compassionate mother, Ruth Nelson provides much of the film's emotional stimulus, her character's no nonsense decency making Crawford's selfish man-eater appear all the more vile and pitiful.
