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Helen Frankenthaler ( Nova Iorque, 12 de dezembro de 1928 — Connecticut, 27 de dezembro de 2011) foi uma pintora dos Estados Unidos . A artista frequentou a Dalton School em Nova Iorque e mais tarde o Bennington College em Bennington, Vermont. Regressando a Nova Iorque, estudou com Hans Hofmann . Em 1958 casou com o pintor Robert Motherwell. [ 1]
Artwork Details. Title: Take Off. Artist: Helen Frankenthaler (American, New York 1928–2011 Darien, Connecticut) Date: 1956. Medium: Oil and enamel on canvas. Dimensions: 54 3/4 × 25 in. (139.1 × 63.5 cm) Classification: Paintings. Credit Line: The Muriel Kallis Steinberg Newman Collection, Gift of Muriel Kallis Newman, 2006.
26 January 2025. Buy your ticket online Save your time and skip the line! Palazzo Strozzi presents Helen Frankenthaler: Painting without Rules, an ambitious presentation of the poetic abstractions of one of the most significant American artists of the twentieth century whose work has rarely been exhibited at such scale in Italy. This survey ...
Helen Frankenthaler; The Red Sea, 1978–82 Helen Frankenthaler; Message from Degas, 1972–74 Helen Frankenthaler; May 26 Backwards, 1961 Helen Frankenthaler; Brown Moons, 1961 Helen Frankenthaler; First Stone, 1961 Helen Frankenthaler; Solarium, 1964 Helen Frankenthaler; East and Beyond with Orange, 1973–74 Helen Frankenthaler; A Slice of ...
Apr 22, 2021 · I had the landscape in my arms when I painted it. I had the landscapes in my mind and shoulder and wrist. —Helen Frankenthaler. Gagosian is pleased to present Imagining Landscapes: Paintings by Helen Frankenthaler, 1952–1976, an exhibition of thirteen paintings from the collection of the Helen Frankenthaler Foundation, several of which have never been exhibited before.
Mar 12, 2021 · Helen Frankenthaler ’s abstractions, often made by staining vibrant hues into unprimed canvas, have captured the minds of many, even if at one point, their aesthetic charm was once considered a ...
When Helen Frankenthaler painted The Bay, she was already a well-regarded artist. She’d been the subject of a LIFE Magazine profile in 1956 and was one of the handful of women among the traditional all-boys’ club of the New York Abstract Expressionists. The Bay was chosen as one of the paintings for the American pavilion of the 1966 Venice ...
