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Oct 4, 2002 · With a dream cast that also includes Patricia Clarkson and, in a cameo, a tattooed George Clooney, fullness of narrative may not have struck the filmmakers as key, and their film feels slight, as if it were an extended short, albeit one made by the smartest kids in class.
Opportunities like this don't come along every day for the hard-luck folks who hang around the streets of Collinwood, a working class neighborhood on Cleveland's east side. What Cosimo needs is a fall guy, a 'Mullinski'--somebody who needs the $15,000 Cosimo can offer them, more than they need one to three years of freedom.
Recently viewed. Welcome to Collinwood: Directed by Anthony Russo, Joe Russo. With William H. Macy, Isaiah Washington, Sam Rockwell, Michael Jeter. Cosimo gets a plan for a huge job from his cellmate. He asks his woman to find a patsy for his bungled car theft, offering $15,000. Suddenly, 7 are involved.
Oct 4, 2002 · Limited time offer. While supplies last. When you purchase at least four (4) tickets for any movie showtime between 12:01am PT on 5/10/24 and 11:59pm PT on 5/12/24 at a participating theater using your account on Fandango.com or via the Fandango app, use the Fandango Promotional Code (“Code”) to receive up to $5 off your transaction.
Fun. Full Review | Original Score: 3.5/5 | Mar 4, 2004. Ian Mantgani UK Critic. The film looks and sounds bright and bouncy, and it's full of reliable old comic devices like characters absurdly ...
Oct 4, 2002 · Purchase Welcome to Collinwood on digital and stream instantly or download offline. Five hapless misfits from the hard-luck streets of Cleveland band together to try to pull off the greatest score they've ever heard of—an easy crime with a huge payoff. Ironically, when the plan goes awry—as such plans always do--these eccentric underachievers find themselves gaining more than they lose.
Sep 10, 2012 · Clooney is wheeled on for a short five minutes as a brusque, handicapped safe-cracking guru, giving the main players an object lesson in declining to mug through the vagaries of the material. For ...
