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Title: Coming Through the Rye. Artist: Frederic Remington (American, Canton, New York 1861–1909 Ridgefield, Connecticut) Founder: Cast by Roman Bronze Works. Date: 1902, cast before 1939. Culture: American. Medium: Bronze. Dimensions: 27 1/4 x 30 x 26 1/4 in. (69.2 x 76.2 x 66.7 cm) Credit Line: Bequest of Jacob Ruppert, 1939. Accession ...
Type: Sculpture. Medium: bronze. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more. Coming through the Rye is often marveled at because only six of the sixteen...
As Frederic Remington quickly mastered the art of bronze sculpting, he turned to increasingly complex compositions and tested the limits of casting techniques by freeing his figures from their bases. Coming through the Rye displays four pistol-waving cowboys; only six of the sixteen horse hooves touch the ground.
Less than 15 Coming through the Rye were originally made. NOTES For more information on Remington's works, including markings and provenance of known works, and comparisons of new and old, ACRN recommends Icons of the West published by the Remington Museum. Price $49.95.
The Corcoran apparently was unwilling to embrace Remington's subject and asked him to propose an alternate to the copyrighted title, Coming Through the Rye. Remington offered Off the Range, the name of his monumental plaster of the same subject shown at the 1904 Louisiana Purchase Exposition in St. Louis; Corcoran director Frederick B. McGuire ...
Coming Through the Rye was bulky, heavy, and expensive, and fewer than 10 were made in Remington’s lifetime. This is a posthumous cast, authorized by the artist’s widow. —Text taken from the Carter Handbook (2023)
Details. Title: Coming Through the Rye (Over the Range) Creator: Frederic Remington (American, 1861-1909) Date Created: modeled 1902, cast in bronze 1902/06. Physical Dimensions: 72.4 x...
Artist: Frederic Remington; Type: Sculpture; Rights: Gift of Amon Carter, Jr., and Mrs. J. Lee Johnson III, 1962; Medium: Bronze
Coming Through the Rye is the artist’s most successful effort at his immersive compositional practice in three-dimensional form, and, initially conceived in 1902, lands squarely within Remington’s most effective and prolific exploration of the head-on design.
A three dimensional study of western sculpture. Remington’s technical virtuoso was truly demonstrated in this piece more than any to date, with only six of the sixteen hooves touching the ground.
