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  1. Nov 2, 1990 · Roger Corman's Frankenstein Unbound Directed by Roger Corman; written by Mr. Corman, F. X. Feeney and Ed Neumeier; director of photography, Armando Nannuzzi; production designer, Enrico Tovaglieri ...

  2. Frankenstein Unbound. Paperback – 1 Jan. 1991. by Brian Aldiss (Author) 3.8 38 ratings. See all formats and editions. In this novel, Joe Bodenland wakes up without any idea of time, all he knows is that he has escaped the 21st century. The author also wrote the "Helliconia" trilogy and, with David Wingrove, he wrote "Trillion Year Spree: The ...

    • Brian Aldiss
  3. FRANKENSTEIN UNBOUND is a film which successfully re-invents the myth of the Frankenstein legend, cleverly using futuristic science fiction as a plot twist on the old tale of dark horror, the result being plenty of originality and interest in the complicated but entertaining storyline.

  4. May 19, 2015 · A disruption of time and space sends a modern man back two hundred years to confront Dr. Frankenstein’s immortal monster in this brilliant reinvention of Mary Shelley’s classic tale. Some years into the twenty-first century, a newly devised weapon of mass destruction will do far worse than kill; it will disrupt time and space.

  5. Based on the book by British writer Brian Aldiss (the title is a play on the titles FRANKENSTEIN OR THE MODERN PROMETHEUS and PROMETHEUS UNBOUND), the movie incorporates the Frankenstein story, the Shelleys in Switzerland, and time travel in an engrossing and highly original way.

  6. Nov 2, 1990 · The ultimate weapon, claimed to be safe for mankind, produces global side-effects including time slides and disappearances. The scientist behind the project and his car are zapped from the year 2031 to 1817 in Switzerland where he meets Dr. Victor Frankenstein, Mary Shelley and others. Roger Corman. Director, Screenplay. Mary Shelley. Characters.

  7. Dec 1, 1981 · Programs or machines will acquire emotions in FUTURES December 1981 Frankenstein unbound 455 the same way: as by-products of their structure, of the way in which they are organized". D. R. Hofstadter, Godel, Esther, Bach: An Eternal Goldan Braid (New York, Vintage Books, 1980), page 677.

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