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The Lighthouse. Applicability: The film is either a fascinating Period Piece about a pair of lighthouse keepers who Go Mad from the Isolation during a freak storm, a Cosmic Horror Story about two men cursed by the gods of the sea for violating maritime tradition, or the Mind Screw Dying Dream of a Canadian man dying in the wilderness of frostbite.
From Robert Eggers, the visionary filmmaker behind the modern horror masterpiece The Witch, comes this hypnotic and hallucinatory tale of two lighthouse keepers (Willem Dafoe and Robert Pattinson) on a remote and mysterious New England island in the 1890s. As an approaching storm threatens to sweep them from the rock and strange apparitions emerge from the fog, each man begins to suspect that ...
- 109 min
The Lighthouse secara berani muncul dengan tampilan eksentrik. Hanya menggunakan warna hitam putih sepanjang film serta menggunakan aspek rasio 1.19:1. Dengan mengambil latar akhir abad ke-19, penggunaan warna hitam putih dan aspek rasio itu bisa dibilang berhasil memberi sajian lengkap seakan-akan kita sedang menonton film jaman dahulu.
Review by esther 75. idiots will call this a staggering retelling of the myth of prometheus through the eyes of the american laborer, the fire of the gods becoming success under capitalism, an unattainable fiction that drives men to maddened violence in their pursuit. geniuses will understand that this is a movie about getting drunk and almost ...
Two men arrive at an island to work in a lighthouse. Thomas Wake (William Dafoe) is older, knows better, is very jealous about the lighthouse and boss the other one around. Thomas Howard (Robert Pattinson), the other one, works hard during the day, has sexual fantasys with mermaids and keeps a dirty secret about his past.
Sci-fi & fantasy. arrow_forward. Two lighthouse keepers (Robert Pattinson and Willem Dafoe) fight each other for survival and sanity on a remote and mysterious New England island in the 1890s. From Robert Eggers, the visionary filmmaker behind horror masterpiece 'The Witch'.
