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Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music " that was "initially a blend of avant-garde electronics experiments ( tape music, musique concrète, white noise ...
The Moog synthesizer had a significant impact on the music industry. It was used by experimental composers, such as Wendy Carlos, and popularized by rock and pop acts like The Beatles and The Rolling Stones. In the 1970s, the Moog synthesizer became a staple of disco and electronic music, used by artists like Donna Summer and Kraftwerk.
Jul 13, 2023 · The 1980s saw the rise of dance-pop, with artists like Michael Jackson and Madonna incorporating electronic elements into their music. Pop-Rock and Boy Bands: The 1990s witnessed the emergence of pop-rock acts like Britney Spears and *NSYNC, who combined pop sensibilities with rock
Website. jefflynneselo .com. The Electric Light Orchestra ( ELO) are an English rock band formed in Birmingham in 1970 by songwriters and multi-instrumentalists Jeff Lynne and Roy Wood with drummer Bev Bevan. Their music is characterised by a fusion of pop and classical arrangements with futuristic iconography. [3]
Oct 13, 2022 · The term “indie” began to refer to the music produced by post-punk labels rather than the label itself in the late 1980s. In the United States, the influence of college rock on the indie rock scene was felt most prominently by key bands like R.E.M. from the United States and The Smiths from the United Kingdom.
Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock ...
Sep 14, 2023 · The origins of electronic music lie in these techniques. John Cage composed ‘Imaginary Landscape No. 1’ in 1939 by adjusting the speeds of recorded tones. Cage said of his ‘Imaginary Landscape’ pieces, ‘It’s not a physical landscape. It’s a term reserved for the new technologies.
