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  1. Nov 10, 1992 · Film Music (1994) Death and the Maiden (1994) The Portrait of a Lady [Original Motion Picture Soundtr… (1996) Warsaw to Hollywood (1997) The Ninth Gate [Original Motion Picture Soundtrack] (1999) Pan Tadeusz [Muzyka do Filmu] (1999) The Pianist [Music from the Motion Picture] (2003) Wojciech Kilar: Bram Stoker's Dracula and other film mu ...

  2. Feb 22, 2005 · Wojciech Kilar: Bram Stoker's Dracula and other film music by Wojciech Kilar released in 2005. Find album reviews, track lists, credits, awards and...

  3. music.youtube.com › channel › UCnI-iM9fAnzECKfIuO87iqQWojciech Kilar - YouTube Music

    Wojciech Kilar was a Polish classical and film music composer. One of his greatest successes came with his score to Francis Ford Coppola's Bram Stoker's Dracula in 1992, which received the ASCAP Award and the nomination for the Saturn Award for Best Music. In 2003, he won the César Award for Best Film Music written for The Pianist, for which he also received a BAFTA nomination.

  4. Nov 24, 1992 · This is the soundtrack album for Francis Ford Coppola’s 1992 horror film about the famed vampire (Gary Oldman) and the people hunting him. Before the fall of the Iron Curtain, Kilar’s music ...

  5. May 14, 2022 · Wojciech Kilar (d. 2013) was an important Polish composer of concert music as well as film scores. He's best known in the West for his superbly atmospheric m...

    • 10 min
    • 2.2K
    • The Ultimate Classical Music Guide by Dave Hurwitz
  6. Heavily influenced by the music of John Cage, Kilar was known for integrating elements of Polish folk music with classical pieces. His most influential works include A Short Overture, Ode to Bela Bartok in Memoriam and Exodus. Kilar scored many films after he provided the music for Glos Z Tamtego Swiata/The Voice from Beyond in 1962.

  7. Nov 27, 2018 · Astonishing! I hazard that this is without doubt the ultimate edition of this soundtrack. Being partial to vinyl, I don't normally buy CD's, but this is one of the best sounding soundtrack editions and/or orchestral recordings I own in any format, add to that the extra material, an incredible two and a half hours worth, from the original studio sessions -without the post-recording digital ...