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  1. Franco Faccio (1840-1891) retained the highest artistic ambitions for Hamlet, his second and last melodrama, with a libretto that his cultured friend Boito recreated from Shakespeare with extreme linguistic and formal variety: the opera debuted successfully in Genoa in 1865 and was shelved for some reworkings until the only unfortunate revival ...

  2. Learn more about the albums and works by Franco Faccio available at Naxos. Buy now or listen for free.

  3. Franco Faccio, född 8 mars 1840 i Verona, död den 21 juli 1891 i Monza, var en italiensk tonsättare och dirigent. Faccio slöt sig med sina operor I profughi Fiamminghi (1863) och Amleto (1865) till den tysk-wagnerska strömningen inom operan.

  4. Composed by Franco Esteve. 21st Century, Contemporary Classical, Modern, Movies, TV. Score, Set of Parts. 16 pages. Published by Franco Esteve (S0.615259). Price: $9.00. Find scores for Franco Faccio at Sheet Music Plus. Log in or register to post comments. Submitted by Jean-Paul Giraudet on 2013-03-25 16:08.

  5. Franco Faccio: Amleto. Naxos: 8660454-55. Buy 2 CDs or download online. Pavel Černoch (Amleto), Claudio Sgura (Claudio), Iulia Maria Dan (Ofelia), Eduard Tsanga (Polonio), Dshamilja Kaiser (Gertrude), Sebastien Soules (Orazio), Paul Schweinester (Laerte), Bartosz Urbanowicz (Marcello), Gianluca Buratto (The ghost/A priest) Wiener Symphoniker, Prague Philharmonic...

  6. Franco Faccio was an Italian composer and conductor. Born in Verona, he studied music at the Milan Conservatory from 1855 where he was a pupil of Stefano Ronchetti-Monteviti and where he struck up a lifelong friendship with Arrigo Boito, with whom he was to collaborate in many ways. Initially, he became known as the...

  7. Franco Faccio (1840-1891) Presentado por primera vez en 1865, Amleto (Hamlet) representó un nuevo desarrollo radical en la ópera italiana, el nuovo melodramma. El compositor Franco Faccio (1840-1891) y su libretista Arrigo Boito buscaron un mayor grado de unidad musical en producciones escenificadas y una relación más igualitaria entre el texto y

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