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  1. The Portrait of Frédéric Chopin and George Sand was an 1838 unfinished oil-on-canvas painting by French artist Eugène Delacroix. He made sketches for it before 1838, a more detailed one of Chopin alone and another, more coarse one of the two. [3] [1] Later he painted it originally as a double portrait, which was later cut in two and sold off ...

  2. An intense romance with Chopin quickly transformed into friendship, closeness and attachment, and when Chopin had health problems, Sand was also his nurse. Despite the turbulent relation, it appears relationship of Chopin and George Sand positively influenced both Chopin’s art (especially during common summer holidays in the manor in Nohant ...

  3. Mar 4, 2013 · In 1831, Aurore Dupin Dudevant (George Sand) left her husband Casimir Dudevant and country estate Nohant (inherited from her paternal grandmother) to live and write in Paris, taking Solange with her. Aurore Dudevant adopted the pen name George Sand with the publication of her first single-authored novel, Indiana, in 1832. The trial for legal ...

  4. This portrait was originally part of a larger painting showing both George Sand and Frédéric Chopin. George Sand was the pseudonym of the French novelist and feminist Amantine-Lucile-Aurore Dupin, later Baroness Dudevant (July 1, 1804 – June 8, 1876). Sand was an author of romance novels. The romance novel, as distinct from the ninteenth ...

  5. Aug 2, 2019 · The original Love Island: how George Sand and Fryderyk Chopin put Mallorca on the romance map. by Natalia Nowakowska, The Conversation. Eugène Delacroix. More than four million Britons watched ...

  6. Aug 1, 2019 · For Sand and Chopin, the Mallorcan interlude was also productive for their own careers. Sand wrote her novel Spiridion in the monastery, and Chopin composed a number of pieces at Valldemossa. But the romantic happy-ever-after which the most gossiped-about couple of 19th-century Europe had sought in the Balearic sun proved, ultimately, far more ...

  7. Sand and Chopin denied that the novel reflected their romance, but in essence, she merely denied parodying him. For many commentators, Lucrezia Floriani is seen as one of the reasons behind the ultimate collapse of the relationship, and some writers see Sand “as an evil seductress, intentionally wrapping Chopin around her finger, enjoying him ...

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