Search results
View the profiles of people named Robert Kramer. Join Facebook to connect with Robert Kramer and others you may know.
Robert Kramer (June 22, 1939 – November 10, 1999) was an American film director, screenwriter, and actor who directed 19 films between 1965 and 1999, most of them political cinema made from a left-wing point of view. [ 1][ 2] Born in New York and educated at Swarthmore College and Stanford University, Kramer was a founding member of the ...
Aug 19, 2020 · Robert Kramer (1939-99), an American filmmaker more highly regarded in his adopted country of France than at home, made his four-hour magnum opus, “Route One/USA,” as a tourist in his...
Apr 26, 2021 · But its chief executive, Robert Kramer, seems to have narrowly avoided taking a massive financial hit. According to The Washington Post, Kramer sold off more than $10 million worth of his stock...
Robert Kramer was born on June 22, 1939 in New York City, New York, USA. He was a director and writer, known for Route One USA (1989), À toute allure (1982) and Guns (1980). He was married to Erika Kramer. He died on November 10, 1999 in Rouen, Seine-Maritime, Haute-Normandie, France.
Robert Kramer was born on 22 June 1939 in New York City, New York, USA. He was a director and writer, known for Route One USA (1989), À toute allure (1982) and Guns (1980). He was married to Erika Kramer. He died on 10 November 1999 in Rouen, Seine-Maritime, Haute-Normandie, France.
Apr 23, 2020 · With Guns, Kramer continues his exploration of the militant psyche, while at the same time experimenting with different forms of narration. “There are two distinct strands of reality in Guns.
Jul 18, 2013 · Never a mere objective observer, Kramer mixed documentary style and revolutionary ideology to make the incendiary, complicated and fascinating Ice in 1969.
Nov 13, 1999 · Robert Kramer, an American movie director whose portrayals of militants caught up in the antiwar movement of the late 1960's and early 1970's earned him a prominent place in modern political...
Capable of galvanizing people politically, Kramer’s cinema unfolds as a peripatetic exploration of how our very consciousness—social and political, at home and abroad, alone and with others—comes into being. “Eventually,” he wrote elsewhere, “all these movies I make will make up one long film.
