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  1. May 11, 2021 · Richard Strauss: Der Rosenkavalier Suite 1911/1944André Previn - Wiener Philharmoniker - DG 199312:17 waltz from Josef Strauss - Dynamiden-Walzer, Op. 173In ...

    • May 11, 2021
    • 955
    • Tony Montana80
  2. Mar 1, 2024 · And finally there’s the 1st Suite from Richard Strauss’s glorious waltz-filled comic opera of 1911 Der Rosenkavalier – which will transport you to the elegance of Vienna during the 1740’s ...

  3. To celebrate the end of the year, the star pianist performs Johannes Brahms’s monumental Piano Concerto No. 2 with the Philharmoniker and Kirill Petrenko. This will be followed by splendidly orchestrated dance works by Richard Strauss: charming waltzes from Der Rosenkavalier and Salome’s overtly sensual Dance of the seven veils.

  4. Listen to Richard Strauss' opera Der Rosenkavalier (The Knight of the Rose) streaming on medici.tv!. Whether you want to experience Strauss' Der Rosenkavalier live, in replay, or on-demand (VOD), medici.tv is the ultimate online platform, offering you a VIP seat to the most beautiful concerts performed by world-renowned artists, all in HD!

  5. About the DVD. American soprano Renée Fleming stars as the Marschallin in this production of Richard Strauss's romantic comedy 'Der Rosenkavalier' for the 2009 Baden-Baden Festival. Christian Thielemann conducts the Munich Philharmonic Orchestra. Fleming is in glorious voice, pouring out Strauss' long phrases with voluminous generosity and ...

  6. By Richard Strauss / arr. Robert Mandell. Conductor Score & Parts. In 1945 Strauss allowed an orchestral Rosenkavalier Suite to be published, but he was apparently not involved in creating it. It is likely that conductor Artur Rodzinski arranged it, as he had conducted the Suite's first performance, which was in October 1944 by the New York

  7. Dec 17, 2018 · If Richard Strauss has a musical trademark, it is the construction of densely chromatic chords and their dizzying changes. Der Rosenkavalier is a case in point.. Musicologists sometimes analyze a symphony in terms of how a composer “gets out of” each movement; as Strauss leads us through exotic modulations, half the fun is marveling at how he gets where he’s going, leading us back to his

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