George C. Scott
Auguste Dupin
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Dupin and the narrator read the newspaper accounts of a baffling double murder. Madame L'Espanaye and her daughter Camille have been found dead at their home in the Rue Morgue, a fictional street in Paris.
The Murders in the Rue Morgue is a 1986 made-for-television mystery film directed by Jeannot Szwarc. It is based on Edgar Allan Poe 's 1841 short story of the same name. The film was shot in Paris and shown on CBS on December 7, 1986.
In the early morning today the people in the western part of the city were awakened from their sleep by cries of terror, which came, it seemed, from a house in the street called the Rue Morgue. The only persons living in the house were an old woman, Mrs. L’Espanaye, and her daughter.
Dec 7, 1986 · The Murders in the Rue Morgue: Directed by Jeannot Szwarc. With George C. Scott, Rebecca De Mornay, Ian McShane, Neil Dickson. A detective comes out of retirement to help his daughter's fiance prove that he did not commit a series of murders.
In passing down an alley in the rear of the Rue Morgue, the fugitive’s attention was arrested by a light (the only one apparent except those of the town-lamps) gleaming from the open window of Madame L’Espanaye’s chamber, in the fourth story of her house.
A summary of “The Murders in the Rue Morgue” (1841) in Edgar Allan Poe's Poe’s Short Stories. Learn exactly what happened in this chapter, scene, or section of Poe’s Short Stories and what it means.
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The Murders in the Rue Morgue, short story by Edgar Allan Poe, first published in Graham’s magazine in 1841. It is considered one of the first detective stories. The story opens with the discovery of the violent murder of an old woman and her daughter.
Summary. Because it was Poe's first tale of ratiocination, "The Murders in the Rue Morgue" introduces more basic features of detective fiction than any of Poe's other short stories. Among these basic features are three central ideas: (1) the murder occurs in a locked room from which there is no apparent egress.
The tale’s murders involve two women, and Poe spent his adult life with his wife, Virginia, and his aunt, Maria “Muddy” Clemm. The deaths of women resonate with Poe’s early childhood experience of watching his mother die and Francis Allan suffer.
