Search results
Sep 13, 2016 · A revenge thriller toplined by Amy Adams and Jake Gyllenhaal, Nocturnal Animals opens not on its stars but with a montage of nude, obese women dancing in slow motion as glitter flutters all...
Nov 22, 2016 · Nocturnal Animals is about the relationship between people and expression. It shows us how creating art, expressing yourself through art, can empower us, as it allows us to draw strength from our biggest flaws and find catharsis and triumph from what we’re most sensitive about.
Nocturnal Animals is a 2016 American neo-noir psychological thriller film written, produced and directed by Tom Ford in his second feature, based on the 1993 novel Tony and Susan by Austin...
Nov 16, 2021 · The opening scene of Tom Ford‘s 2016 film Nocturnal Animals has gone viral on the app, as users challenge each other to record their “blind reactions” to the film’s unexpected opening...
Nov 22, 2016 · Tom Ford‘s “Nocturnal Animals” opens not on the shining face of Amy Adams or the brooding stare of Jake Gyllenhaal — but with a striking collection of nude plus-size models, dancing full ...
Dec 9, 2016 · Nocturnal Animals: Directed by Tom Ford. With Amy Adams, Jake Gyllenhaal, Michael Shannon, Aaron Taylor-Johnson. A wealthy art gallery owner is haunted by her ex-husband's novel, a violent thriller she interprets as a symbolic revenge tale.
Cookies. Language: English Mature content filter: None. Nocturnal Animals - Opening Scene. Music and Sound Design: Stefano Patrizio.
Apr 19, 2021 · Everything in the movie has an underlying meaning. The title sequence is a montage of nude plus-sized women dancing to a red backdrop. It is a totally unexpected and jarring opening, which also caused a lot of controversies. When the sequence ends, we see that it is part of Susan’s art show.
Dec 26, 2016 · The scene: Unexpected and jolting, Nocturnal Animals opens with ultra-slow-motion footage of plus-size women, nude but for a few garish stars-and-stripes adornments, dancing...
Apr 4, 2017 · Nocturnal Animals (Ford 2016), Tom Ford’s sophomore feature film, opens with a baffling display of what seems like performance art: obese women dancing, either entirely nude, or only wearing a red, glittery sash that matches the red curtains in the background.
