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  1. Kelly Reichardt

    Kelly Reichardt

    American film director and screenwriter

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  1. May 13, 2024 · A new retrospective, American Landscapes: The Cinema of Kelly Reichardt, opening May 11 at Metrograph cinema in New York, foregrounds the ways in which she explores settings. Below, the director speaks with AnOther about the films that have most influenced her.

  2. May 9, 2024 · Embed. May 9, 2024. Filmmaker Kelly Reichardt has spent 30 years making films about everyday people set in the Pacific Northwest. A new retrospective at the Metrograph celebrates all eight of her films in the series American Landscapes: The Cinema of Kelly Reichardt.

  3. May 9, 2024 · For their latest retrospective, Metrograph have turned their sights towards Kelly Reichardt. Ahead of “ American Landscapes: The Cinema of Kelly Reichardt ” running from Saturday, May 11 to May 27, with Reichardt present for screenings the first weekend, we’re pleased to exclusively debut the series’ trailer.

    • Nick Newman
  4. 5 days ago · After the success of 2019’s First Cow, you might have expected Kelly Reichardt’s 2022 follow-up, Showing Up, to be a bigger hit than it was. Critics liked it; audiences not so much. It seems that Reichardt most hits the target with paying punters when she delivers westerns. See also Meek’s Cutoff.

  5. May 20, 2024 · 7 subscribers. Subscribed. 0. No views 57 seconds ago. In this episode, I talk about Kelly Reichardt's 2008 film, "Wendy and Lucy." It stars Michelle Williams as Wendy Carroll, a young woman...

    • 98 min
    • Her Head in Films
  6. May 13, 2024 · Driven By Love and Necessity: An Interview With Lily Gladstone. Marya E. Gates May 13, 2024. Tweet. Since their remarkable breakthrough role as a soulful, lonely rancher in Kelly Reichardt ’s “ Certain Women ,” Lily Gladstone has left an indelible mark on cinema and television. Mostly working with writer-directors on small, personal ...

  7. May 3, 2024 · The gentle dramas of Kelly Reichardt, the body horror of David Cronenberg and the outlandishness of Tom Green’s “Freddy Got Fingered” all come up as sign posts. “How does cinema, how does art continue to become itself as hopefully human beings are doing the same in their fledging and flawed and destructive ways?”

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