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  1. blissout.blogspot.comblissblog

    May 16, 2024 · highfunctioninghuman | The blog of Robin Carmody. Liberal humanist, reformed ex-Stalinist and former anti-anti-anti-Semite, melancholy Europhile and romantic-ruralist socialist. Londoner by birth, Kentish Man by upbringing, Portlander by adoption. "More like Roy Harper than Fairport Convention" – Simon Reynolds, 2003.

  2. May 15, 2024 · Simon Reynolds on the ‘very human’ future of dance music | Dazed. One of music’s OG critics shares his thoughts about the future of electronic music, what he thinks about AI, and the Gen Z appeal of Drain Gang. Music Feature. Text Günseli Yalcinkaya. 15May 2024.

  3. May 12, 2024 · BC075 – Five Mixes: Simon Reynolds (May 2024) A Q&A with electronic music’s foremost chronicler and the author of the new 'Futuromania' Michaelangelo Matos. May 12, 2024. My next guest needs no introduction. If you’re reading me, chances are you’ve been reading him just as long or longer.

    • Michaelangelo Matos
  4. May 8, 2024 · For millennial music journos such as ourselves, Simon Reynolds is one of the Goats. He’s a writer best known for his era-defining book on dance music, Energy Flash (or Generation Ecstasy, if you’re in the US) and the ultimate history of post-punk, Rip It Up And Start Again.

  5. 3 days ago · On Futuromania and closing and opening of musical horizons. We talk to renowned music critic Simon Reynolds about his new book. A counterpart of sorts to his...

    • 88 min
    • 98
    • Bungacast
  6. energyflashbysimonreynolds.blogspot.comEnergy Flash - Blogger

    May 18, 2024 · Sometimes I think I'll go to my love. And tell to him my mind. But if I should go to my love. My love he will say “nay”. If I show to him my boldness. He'll ne'er love me again. If I show to him my boldness. He'll ne'er love me again. In Energy Flash I took a wild guess and said it sounds like Maddy Prior.

  7. May 16, 2024 · Resonant Thoughts: Simon Reynolds’ “Futuromania” (2024) “The Gas sound is literally spliced together out of small samples from classical records, which Voigt subjected to processes of ‘zoom, loop and alienation’.

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