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1974), Young Frankenstein (1974)
- He then rose to prominence becoming one of the most successful film directors of the 1970s with The Twelve Chairs (1970), Blazing Saddles (1974), Young Frankenstein (1974), Silent Movie (1976), High Anxiety (1977), History of the World, Part I (1981), Spaceballs (1987), Robin Hood: Men in Tights (1993), and Dracula: Dead and Loving It (1995).
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2 days ago · Brooks collaborated with Gene Wilder on several films including Young Frankenstein and Blazing Saddles (both 1974) Brooks then wrote an adaptation of Oliver Goldsmith 's She Stoops to Conquer , but was unable to sell the idea to any studio and believed that his career was over.
May 8, 2024 · Gene Wilder Asked Mel Brooks Not to be in Young Frankenstein. (L-R) Mel Brooks, Peter Boyle, Marty Feldman, Gene Wilder and Teri Garr in a Young Frankenstein publicity photo. 20th Century Fox. Mel Brooks recalled in his memoir that Gene Wilder had just won request for him, and delivered with “with a big smiles on his face.”. He asked that ...
May 8, 2024 · Young Frankenstein: 12 Behind the Scenes Stories of How Mel Brooks’ Monster Hit Came Alive. By Tim Molloy. Updated: May 8, 2024. Young Frankenstein, which turns 50 this year, is at or near the top of any list of the best Mel Brooks movies. Here’s how it came alive.
May 8, 2024 · By Tim Molloy. Updated: May 8, 2024. Mel Brooks’ Initial Payment for Young Frankenstein Was $57. Mel Brooks (L) and Gene Wilder go over a scene in a publicity photo for Young Frankenstein. 20th Century Fox.
May 9, 2024 · Mel Brooks had a hell of a year in 1974, delivering arguably his two most iconic and infinitely quotable comedies, Blazing Saddles and Young Frankenstein. The latter is a brilliant send-up of...
- Tom Jolliffe
May 4, 2024 · Mel Brooks' fabled comedy career began more than 70 years ago, ... and, perhaps his most beloved film, Young Frankenstein. Brooks' comedy style is unique, being a mixture of classic slapstick ...
May 15, 2024 · When filming Young Frankenstein, Brooks tapped Ken Strickfaden, who had worked on the lab sets for the 1931 Frankenstein film by James Whale. When Brooks visited Strickfaden, he was delighted to find that the designer had stored all of the equipment from the previous set right in his garage.
