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  1. May 21, 2024 · The logic and order of Baroque music laid the foundation for musical notation and theory that we still use today. It was also during the Baroque period that Western music began to be primarily instrumental.

  2. May 14, 2024 · One of the fundamental aspects of Baroque historical performance is the use of period instruments or accurate modern replicas. Instruments such as the Baroque violin, harpsichord, and natural trumpet differ significantly from their modern counterparts.

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  4. 6 days ago · The Baroque era began roughly around 1600 with the composition of the first opera and lasted until the death of Johann Sebastian Bach in 1750. The word “baroque” comes from Portuguese and means “irregular pearl.” It was originally used to unflatteringly describe the art, architecture, and music produced in the 17th and 18th centuries.

  5. 6 days ago · The Baroque era began roughly around 1600 with the composition of the first opera and lasted until the death of Johann Sebastian Bach in 1750. The word “baroque” comes from Portuguese and means “irregular pearl.” It was originally used to unflatteringly describe the art, architecture, and music produced in the 17th and 18th centuries.

  6. www.artfund.org › features › baroque-artBaroque Art - Art Fund

    May 21, 2024 · Baroque art emerged at the start of the 17th century against the backdrop of the Protestant Reformation. The Catholic church wanted to reassert its power and used the arts to do so, commissioning large-scale, dramatic paintings and sculptures to evoke awe and wonder in the public.

  7. May 16, 2024 · Baroque architecture, a style that emerged in Italy in the late 16th century before spreading across Europe and Latin America, is characterized by its dramatic use of light, bold ornamentation, and dynamic forms. It sought to inspire awe and convey the power of the Catholic Church during the Counter-Reformation.

  8. May 21, 2024 · Music in the Baroque by Wendy Heller; Walter Frisch (Series edited by) Traces the production and consumption of music in the seventeenth and early eighteenth century. Going beyond a history of style, the text explores patronage, education, religious and civic ritual, theater, and visual culture.

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