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The main story takes place on 13 July 1808; the play directed by the Marquis de Sade within the story takes place 15 years earlier, during the French Revolution, culminating in the assassination (13 July 1793) of Jean-Paul Marat, then quickly brings the audience up to date (1808).
Marat/Sade, play in two acts by German dramatist Peter Weiss, published and performed in West Berlin (now part of Berlin) in 1964 under the title Die Verfolgung und Ermordung Jean Paul Marats, dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade ( The Persecution and Assassination of Jean-Paul Marat ...
In Marat/Sade, the background of mentally ill patients on the brink of violence creates a disturbing experience in which we have to deal with the concept of madness while, simultaneously, interpreting the central action as the two main characters duke it out in an intellectual sparring of ideas.
Marat/Sade: Directed by Peter Brook. With Patrick Magee, Ian Richardson, Michael Williams, Clifford Rose. In an insane asylum, Marquis de Sade directs Jean Paul Marat's last days through a theater play.
In the Charenton Asylum in 1808, the Marquis de Sade stages a play about the murder of Jean-Paul Marat by Charlotte Corday, using his fellow inmates as actors. The director of the hospital, Monsieur Coulmier, supervises the performance, accompanied by his wife and daughter.
Glenda Jackson, as Marat's assassin Charlotte Corday, weaves back and forth between the melancholy of her mental illness and the fire of the role she plays. Ian Richardson , as Marat, still advocate violence and revolution even though thousands have died and nothing has been accomplished.
Set in the Asylum of Charenton, Peter Weiss's play shows inmates of the mental facility re-enacting the last days of political agitator Jean Paul Marat's life fifteen years earlier. The play within the play has been written and directed by the Marquis de Sade, a fellow inmate at the asylum.
Marat/Sade is set in 1808, when the Revolution was over, but the play reenacts an important event from those bloody days—the assassination of Marat, one of the revolution's key architects.
The first play, generally known as Marat/Sade, was a dispute on the French Revolution, and an assassination story as filtered through a chaotic performance in a lunatic asylum in 1808; the...
Feb 21, 2007 · “Marat/Sade” is no less relevant today as a diatribe against inadequate leaders who manipulate their people into complacency. At the end, a revolution takes place within the central cage, leaving...
