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  1. 3 days ago · A late-70s blitz of punk, personal problems and tragedy forced The Who’s Pete Townshend to reassess his life and career. One of the results was his solo masterpiece Empty Glass. In early 1977, Keith Moon took Pete Townshend to see Generation X at the Marquee Club. “It was my first punk concert,” Townshend recalled in 2019.

  2. May 19, 2024 · From The Who’s forgotten singles to unsung solo gems, these are 10 classic Pete Townshend songs you’ll never hear on CSI

  3. May 15, 2024 · After the band’s dissolution, Townshend embarked on a solo career in music and other fields. He released several solo albums, including Empty Glass (1980), All the Best Cowboys Have Chinese Eyes (1982), White City: A Novel (1985), Pete Townshends Deep End Live! (1986), and The Iron Man: The Musical (1989).

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  5. May 19, 2024 · 10. “Pictures of Lily” (1967) One of the best written singles of its decade—it’s essentially a short story in song form about masturbation, a post-Mod bildungsroman—“Lily” is typical of Who songs of this vintage for not having a guitar solo. But listen to the intense, driving chording of the song. Townshend has the firmest of ...

  6. May 19, 2024 · Pete Townshend's vision and innovation were at the heart of The Who's success. His concept albums, Tommy and Quadrophenia, pushed the boundaries of what rock music could be, blending narrative depth with musical complexity. The band's explosive live shows, epitomized by their performance at Woodstock, cemented their reputation as one of the ...

  7. May 18, 2024 · Key Takeaways: Pete Townshend, the iconic guitarist of The Who, revolutionized rock music with his windmill guitar technique and hit songs like “My Generation” and “ Baba O’Riley. Townshend’s impact extends beyond music, as he advocates for social causes, writes books, and continues to inspire audiences with his electrifying live ...

  8. 6 days ago · The Who- Tommy 55th- Pete Townshend pt2. “Sexual abuse, narcissism, cults and celebrity are contemplated…If anything, it’s more pertinent now than it was in 1969”, writes Rob Tannenbaum in the New York Times about The Who’s Tommy, back on Broadway with Pete Townshends book and score, and direction once again by Des McAnuff.