Contempt
1963
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May 13, 2024 · Filmed on location at the iconic Cinecittà film studios and the spectacular Villa Malaparte in Capri, and boasting lush cinematography by Raoul Coutard and Brigitte Bardot at her most glorious, Contempt is an astute study of conjugal disintegration, artistic compromise and a somewhat cynical look at the film industry itself. The film is widely ...
May 14, 2024 · The Hostage Gang is a real rediscovery, featuring Daniel Cauchy (Bob le flambeur) as the volatile drifter and Bulle Ogier as the hooker with a heart of fool’s gold; the brash color cinematography of Raoul Coutard; and a knowing and often comical script by Alphonse Boudard, whose expertise in counterfeiting and safecracking made him a target ...
May 15, 2024 · Godard collaborated with renowned cinematographer Raoul Coutard on the film. Coutard’s expertise and innovative techniques contributed to the film’s visually stunning aesthetic. Award-Winning Film
May 10, 2024 · Cinematographer Raoul Coutard’s exquisite use of color and composition adds depth to every frame. The iconic actress Brigitte Bardot plays the female lead in the film. Bardot’s magnetic presence and captivating performance contribute to the film’s allure. The score for Contempt was composed by renowned musician Georges Delerue.
May 19, 2024 · Jules and Jim marked the first collaboration between Truffaut and cinematographer Raoul Coutard, who would later become one of Truffaut’s frequent collaborators. Multi-Layered Characters. The complex characters of Jules and Jim were brought to life by actors Oskar Werner and Henri Serre, respectively. An Iconic Performance.
May 15, 2024 · There is a scene in Linklater’s film wherein “ Godard, accompanied by his assistant Pierre Rissient and Raoul Coutard, presents Georges de Beauregard with the scooter which will allow him to hide a camera in order to film freely in Paris without attracting attention.
May 3, 2024 · At some point, a character turns to the camera behind, operated by Godard’s great DoP (cinematographer) Raoul Coutard, and asks, “Mr. Coutard, are there rules in cinema?” And Coutard says ...
