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  1. Serge Toubiana

    Serge Toubiana

    French film critic

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  1. May 16, 2024 · This film tribute will be shown at Cannes Classics in the presence of the director and his co-writer, Serge Toubiana. “The Screenplay of My Life” was Truffaut’s final project. How did you make use of it? Thanks to Laura and Eva, François Truffaut ’s daughters, I was granted permission to use letters and correspondence.

  2. 5 days ago · Drawing from personal letters and journals that Truffaut had assembled for a never-written autobiography, the film, directed by David Taboul and written by Truffaut biographer and former Cinématheque head Serge Toubiana, perfectly fuses the complex, troubled story of Truffaut’s life with the substance of his movies, and while it is ...

  3. May 19, 2024 · I don’t like narrators. I avoid voiceovers and commentary. I prefer to go against the grain and let the protagonist(s) tell their own story. I also had access to several outside contributors like Pascal Thomas, François Truffaut, Serge Toubiana, Serge Daney, and Bernard Menez who could do this very well! How did you structure the documentary?

  4. May 17, 2024 · Le Scénario de ma vie, Fançois Truffaut, de David Teboul et Serge Toubiana avec les voix d’Isabelle Huppert, Louis Garrel… (France). Cannes Classics. cafeyn; Cannes 2024;

  5. May 13, 2024 · As if that weren’t enough, five films sold by mk2 are set to grace the Cannes Classics programme: Les parapluies de Cherbourg by Jacques Demy, Four Nights of a Dreamer by Robert Bresson, and the documentaries François Truffaut, le scénario de ma vie by David Teboul (co-written with Serge Toubiana), Jacques Rozier : d’une vague à l ...

  6. 5 days ago · Jacques Rancière | The Fraternal Image; interviewed by Serge Daney & Serge Toubiana; The Power of Political, Militant, ‘Leftist’ Cinema. Interview with Jacques Rancière; Jacques Rancière | The Red of La Chinoise: Godard’s Politics; Jacques Rancière | Staging the People

  7. May 17, 2024 · The photographs are paralleled with an essay by the Editor-in-Chief of the established film magazine Cahiers du cinema, Serge Toubiana, in which he recounts the tragic and triumphant story of the film that was to become Monroe and Gable's swansong.

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