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  1. May 14, 2024 · To play altissimo E on the alto saxophone, you can use the fingerings for high E and add the side key to produce the higher pitch. It’s important to practice specific exercises and techniques to develop control and flexibility in the altissimo register.

  2. 2 days ago · Additionally, mastering the altissimo register, which extends beyond the saxophone’s standard range, can be a formidable challenge for players seeking to expand their repertoire. Tenor Saxophone: The tenor saxophone’s larger size and lower pitch present unique technical challenges for players. Its deeper tone requires greater breath support ...

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  4. May 17, 2024 · Greger Hillman. The A Major Scale has 3 sharps (#) and can be played over 1 octave on your Saxophone. That's from “middle A” to “high A” on your sax. Here's a video explaining how to play and practice A major scale on saxophone in detail: A major Scale on Saxophone - Saxophone Beginner Series. Watch on.

  5. Apr 30, 2024 · Pitch Size Range Sound Common Usage; Soprano Sax: Bb or C: Smallest: High: Bright: Classical, jazz, contemporary: Alto Sax: Eb: Smaller than tenor: Mid-range: Warm: Jazz, rock, pop, classical: Tenor Sax: Bb: Larger than alto: Mid-range: Deep: Jazz, rock, ensemble: Baritone Sax: Eb: Larger than tenor: Low range: Full body: Jazz, wind ensembles ...

  6. May 14, 2024 · The tenor saxophone, a medium-sized instrument pitched in Bb, is a popular choice over the alto sax. Its sounds are prominent in many jazz and pop recordings. Notable tenor sax players include Michael Brecker, Sonny Rollins, John Coltrane, and Clarence Clemmons.

  7. 3 days ago · Formula: 1-2-3-4-5-6-b7-8. Works well over V7 chords. The Mixolydian scale (or dominant scale) is the most basic scale for improvising over dominant chords. However, you can use many other jazz scales over dominant chords to hit all the alterations. Here are a few besides the dominant scale—.

  8. 2 days ago · Mark Archer aka Mr Blowout Sax teaches how to play the Louis Armstrong classic on alto sax.

    • 7 min
    • Mark Archer
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