Late Spring
1972
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Jul 29, 2024 · Ozu presents both of their perspectives with the utmost empathy, showing how their different backgrounds and expectations have led to their current impasse despite their best intentions. Also Related to Yasujirō Ozu’s Movies: 55 Best Japanese Movies of the 21st Century 10. Early Spring (1956)
2 days ago · Tokyo Story (東京物語, Tōkyō Monogatari) is a 1953 Japanese drama film directed by Yasujirō Ozu and starring Chishū Ryū and Chieko Higashiyama, about an aging couple who travel to Tokyo to visit their grown children. Upon release, it did not immediately gain international recognition and was considered "too Japanese" to be marketable ...
Jul 19, 2024 · It was he, not his contemporaries Yasujirō Ozu or Kenji Mizoguchi, who became the first Japanese to break through onto the global scene. He pulled equally from the tragedies of Shakespeare and Noh Theater, the moral psychology of Russian and Japanese literature, the formal might of D.W. Griffith and Eisenstein, and the seedy bowels of film noir.
Jul 29, 2024 · Whereas not as broadly widespread as his peer Akira Kurosawa, few filmmakers have left as indelible a mark in movie historical past as Yasujiro Ozu. His physique of movies, at first look deceptively easy of their deal with Japanese household life, reveals themselves to be profound explorations of the human situation, transcending cultural and temporal […]
2 days ago · Tea Over Rice or The Flavor of Green Tea over Rice (Japanese: お茶漬の味, Hepburn: Ochazuke no Aji) is a 1952 Japanese film directed by Yasujirō Ozu. [1] The screenplay concerns a wealthy middle-aged couple (played by Shin Saburi and Michiyo Kogure) who have marital difficulties, and their niece who uses the couple's troubles as her excuse for not attending arranged marriage interviews.
Aug 1, 2024 · Running time. 106 minutes. Country. Japan. Language. Japanese. Brothers and Sisters of the Toda Family (1941) by Yasujirō Ozu. Brothers and Sisters of the Toda Family (戸田家の兄妹, Toda-ke no kyōdai) is a 1941 Japanese drama film directed by Yasujirō Ozu. [1] [2]
5 days ago · At times, his film has all the domestic stasis of an Ozu film; at others, it rings with the restless energy of François Truffaut’s The 400 Blows. But despite these obvious influences, Moving always feels unique. It doesn’t have the same hectic danger of Typhoon Club, nor does it have the same laid-back vibes of a Linklater film.
