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  1. May 10, 2024 · Contempt, also known as “Le Mépris,” is a French-Italian drama film. Released in 1963, it was directed by Jean-Luc Godard and starred Brigitte Bardot and Michel Piccoli. The movie was based on the novel “A Ghost at Noon” by Alberto Moravia. Godard adapted the screenplay from Moravia’s novel, infusing it with his distinctive style and vision.

  2. 1 day ago · Bardot in a scene of Concert of Intrigue in 1954. Bardot had a leading role in 1954 in an Italian melodrama, Concert of Intrigue and in a French adventure film, Caroline and the Rebels. She had a good part as a flirtatious student in the 1955 School for Love, opposite Jean Marais, for director Marc Allégret .

  3. 1 day ago · Paul Javal (Michel Piccoli) is invited by a swaggering American movie producer Jeremiah Prokosch (Jack Palance) to write a new adaptation of the Odyssey for a German director (Fritz Lang, playing himself). But Prokosch has his eye on Javal’s stunning wife, Camille (Brigitte Bardot), who is quickly losing interest in her husband.

  4. May 27, 2024 · Brigitte Bardot, French film actress who became an international sex symbol in the 1950s and ’60s. She broke temporary film taboos against nudity, and her notable movies included And God Created Woman and Viva Maria!

    • The Editors of Encyclopaedia Britannica
  5. May 20, 2024 · Contempt” (1963): Starring the French movie star Brigitte Bardot, “Contempt” is a film within a film, with the oceanside Italian villa Casa Malaparte serving as a breathtaking metaphorical stage for the filmmaker’s actors. “It is a beautiful and important film, whether we’re talking about film and architecture or just film in ...

  6. May 14, 2024 · Cannes’ Midcentury Glory Years: Cary Grant, Brigitte Bardot and More Grace the Croisette (Photo Gallery) A nostalgic romp through the photo archives reveals the International Cannes Film ...

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  8. May 25, 2024 · In ‘Untitled Film Still #13,’ Sherman’s portrayal evokes Brigitte Bardot during the time of ‘Contempt.’ [Cindy Sherman / Courtesy of the artist and Hauser & Wirth] Reflecting on her oeuvre, Sherman has asserted that “the work is what it is,” suggesting that it can be viewed through a feminist lens.

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