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3 days ago · The plot, libretto and music of Der Rosenkavalier, taken together, represent a prime example of art mirroring life without seeking to superimpose a meaning-making frame. The nature of the work accounts for the complexity of what we see and hear from the orchestra pit and stage during a performance.
- Daniel Meyer-Dinkgräfe
May 11, 2024 · Elisabeth Schwarzkopf [Die Feldmarschallin] ** Otto Edelmann [Der Baron Ochs auf Lerchenau] ** Christa Ludwig [Octavian] ** Eberhard Wächter [Herr von Faninal ...
May 13, 2024 · In the same period, Strauss was trying to emulate Mozart in “Der Rosenkavalier”; Zemlinsky, with his matchless stylistic agility, came closer to the goal. In 1938, Zemlinsky fled into exile, a...
Jun 1, 2024 · Erté's Costumes & Sets for Der Rosenkavalier in Full Color Erté.1980 Set and Costume Designs for Ballet and Theatre Alexander Schouvaloff,Sammlung Thyssen-Bornemisza.1987 This book is a descriptive catalogue of Baron Thyssen-Bornemisza's collection of fifty-six drawings, largely set and costume
Three musical ≫spheres≪ determine the musical structure of Der Rosenkavalier: the parlando, which dominates for long stretches, the lyrical and melodically broadly developed solo and ensemble scenes and the waltzes, which primarily (but not exclusively) characterize the world of Ochs auf Lerchenau. If these ≫spheres≪ therefore already ...
3 days ago · Material: vellum: Size: ≈ 23.5 cm × 16.2 cm × 5 cm (9.3 in × 6.4 in × 2.0 in) Format: One column in the page body, with slightly indented right margin and with paragraph divisions, and often with stars in the left margin; the rest of the manuscript appears in the form of graphics (i.e. diagrams or markings for certain parts related to illustrations), containing some foldable parts
6 days ago · Elektra / Der Rosenkavalier ~ Release by Richard Strauss; Pittsburgh Symphony Orchestra, Manfred Honeck (see all versions of this release, 2 available)
