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  1. 6 days ago · As a longtime collaborator of Studio Ghibli director Hayao Miyazaki, Hisaishi has composed scores for such timeless films as Spirited Away, Castle in the Sky and Princess Mononoke. With the continued rise of Studio Ghibli’s profile in the United States, and the rare opportunity to see Hisaishi conduct his own music live at the podium, the ...

  2. 1 day ago · A true compliment to the film’s complexity and beauty is the soundtrack by the legendary Joe Hisaishi. The composer is a constant collaborator for Studio Ghibli films but this particular movie’s soundtrack has gone completely viral on TikTok and Instagram Reels. The aesthetic influencers will not leave this soundtrack to rest.

  3. 1 day ago · Few film score composers are elevated to the likes of Joe Hisaishi’s stardom. ... conducting the San Francisco Symphony through a journey of Studio Ghibli favorites including “Kiki’s ...

  4. 6 days ago · Conductor and famed composer Joe Hisaishi plays piano at the opening night of the San Francisco Symphony’s “Music From Studio Ghibli” concert at Davies Symphony Hall on Thursday, Sept. 5. The same extends to Hisaishi’s conducting style. He rarely took risks, instead steering the orchestra with steady, predictable movements.

  5. 20 hours ago · Joe Hisaishi, composer of 11 of the most iconic 'Studio Ghibli' films since 1985, (Spirited Away, Howl's Moving Castle, My Neighbour Totoro, The Boy And The Heron). Now, he's made his first ever narrative video for a seminal classical music album recorded in Vienna." "The Golden Globe and Academy Award nominated musician presents 'Viola Saga ...

  6. 6 days ago · (KRON) – Joe Hisaishi and the San Francisco Symphony brought the audience to tears for the enchanting grand opening night of Music from Studio Ghibli on Thursday night at the Davies Symphony Hall.

  7. 3 days ago · After walking onstage to a rapturous applause, Hisaishi conducted the symphony orchestra beginning with selections from the first Studio Ghibli film, the aforementioned Nausicaä. It was a fitting beginning to the evening, as the film’s music has unfortunately never gotten the same amount of reverence as other scores that Hisaishi has composed.

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