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  1. The Godfather, Part II

    The Godfather, Part II

    R1974 · Crime drama · 3h 20m

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  1. The Godfather Part II is a 1974 American epic crime film. The film is produced and directed by Francis Ford Coppola, loosely based on the 1969 novel The Godfather by Mario Puzo, who co-wrote the screenplay with Coppola. It is both a sequel and a prequel to the 1972 film The Godfather, presenting parallel dramas: one picks up the 1958 story of ...

  2. Dec 18, 1974 · IMDb page for the 1974 crime drama film The Godfather Part II, directed by Francis Ford Coppola and starring Al Pacino, Robert De Niro and Robert Duvall. See the IMDb rating, user and critic reviews, trivia, goofs, quotes, soundtracks and more.

    • (1.4M)
    • Crime, Drama
    • Francis Ford Coppola
    • 1974-12-18
  3. A sequel that set new standards for sequels, starring Al Pacino and Robert De Niro as father and son in the Mafia. See critics reviews, ratings, cast, trailer and streaming options for this classic film.

    • (126)
    • Francis Ford Coppola
    • R
    • Al Pacino
  4. The saga of the Corleone family continues, contrasting Vito Corleone's rise as mafia kingpin in 1920s New York with his son Michael's expansion of the family empire as he succumbs to the temptations of power and the brutality of the life he has chosen. Rentals include 30 days to start watching this video and 48 hours to finish once started. Woot!

    • 200 min
    • 8
  5. The film follows the rise and fall of the Corleone family in New York and Cuba, as well as the early life of Vito Corleone in Sicily. It also shows Michael Corleone's struggles with his business rivals, his family problems, and his own conscience.

  6. Ebert praises Coppola's mood, atmosphere, and period, but criticizes his plot construction and characterization. He argues that the film reveals Michael's tragic fate as a result of his pride and loss of humanity, while contrasting him with his father Don Vito.

  7. Oct 2, 2008 · A masterful sequel that explores the rise and fall of the Corleone family and the contrast between young Vito and Michael. Ebert praises the score, the acting, the writing and the direction, but questions the flashbacks and the morality of the characters.

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