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Joseph Walton Losey III (/ ˈ l oʊ s i /; January 14, 1909 – June 22, 1984) was an American theatre and film director, producer, and screenwriter. Born in Wisconsin , he studied in Germany with Bertolt Brecht and then returned to the United States.
Joseph Losey (1909-1984) Joseph Losey. Director. Producer. Writer. IMDbPro Starmeter See rank. Belonging to an important family clan in Wisconsin, Joseph Losey studied philosophy but was always interested in theater and thus worked together with Bertolt Brecht. After directing some shorts for MGM, he made his first important film, The Boy with ...
- January 1, 1
- La Crosse, Wisconsin, USA
- January 1, 1
- Chelsea, London, England, UK
Joseph Losey was an American motion-picture director, whose highly personal style was often manifested in films centring on intense and sometimes violent human relationships. After graduating from Dartmouth College (B.A., 1929) and Harvard University (M.A., 1930), Losey wrote book and theatre
- The Editors of Encyclopaedia Britannica
May 29, 2018 · Joseph Losey's career spanned five decades and included work in both theater and film. Latterly an American expatriate living in Europe, the early years of his life as a director were spent in the very different milieus of New Deal political theater projects and the paranoia of the Hollywood studio system during the McCarthy era.
The day before a young man is to be executed for killing his girlfriend, his alcoholic father shows up to try to prove his innocence. Director: Joseph Losey | Stars: Michael Redgrave, Ann Todd, Leo McKern, Paul Daneman. Votes: 1,879. 10. The Boy with Green Hair (1948) Approved | 82 min | Comedy, Drama, Family. 6.7.
Joseph Losey. Highest Rated: 100% The Prowler (1951) Lowest Rated: 20% Boom! (1968) Birthday: Jan 14, 1909. Birthplace: La Crosse, Wisconsin, USA. Joseph Losey, born to a family whose American ...
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Jun 16, 2023 · A review of the classic British thriller about class, identity, and sexual politics, directed by Joseph Losey and starring Dirk Bogarde and James Fox. The film explores the power dynamics and moral dilemmas of a servant-master relationship in a decaying London flat.