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Bianca Stigter, Lady McQueen is a Dutch film director from Amsterdam. She directed Three Minutes: A Lengthening. [1] She is married to director Steve McQueen, and was associate producer on his films Widows and 12 Years a Slave. [2]
Jan 27, 2024 · Bringing up two children in Amsterdam, filmmaker Steve McQueen and his wife, historian Bianca Stigter, sent their oldest daughter to a well-regarded secondary school, Gerrit van der Veen...
Bianca Stigter was born in 1964 in Amsterdam, Noord-Holland, Netherlands. She is a writer and producer, known for Three Minutes: A Lengthening (2021), Widows (2018) and 12 Years a Slave (2013). She is married to Steve McQueen.
Dec 22, 2023 · Steve McQueen collaborated with his wife Bianca Stigter to make “Occupied City,” a four-hour documentary that brings Amsterdam’s World War II history into the present day.
Dec 22, 2023 · In a deeply personal conversation with filmmakers Steve McQueen and Bianca Stigter, they discuss the recurring themes of time, memory, and history in their respective work and in their collaboration on 'Occupied City,' as well as breaking the rules of traditional documentary filmmaking.
Aug 19, 2022 · One person who does take the time is the Dutch writer-director Bianca Stigter. Her elegant new documentary, "Three Minutes: A Lengthening," is built around a little over 3 minutes of...
Jan 3, 2022 · Now, the Dutch filmmaker Bianca Stigter has used the fragmentary, ephemeral footage to create “Three Minutes: A Lengthening,” a 70-minute feature film that helps to further define what and who...
Aug 17, 2022 · Out on August 19, a new film, 'Three Minutes - A Lengthening,' by Dutch filmmaker Bianca Stigter, looks in depth at recovered footage of a Polish town prior to its devastation.
Aug 19, 2022 · That’s why Bianca Stigter’s debut documentary Three Minutes: A Lengthening is so quietly moving. The film focuses on a Jewish community in Nasielsk, Poland, in 1938, captured in footage by David...
Aug 19, 2022 · Bianca Stigter's documentary "Three Minutes: A Lengthening" is a great film about filmmaking and a quietly devastating memorial for lives long gone. The title tells you what it is: Stigter takes a three-minute reel of faded 16mm color home movie footage taken in 1938 in the Jewish quarter of Nasielsk, Poland, and scrutinizes it—not just to ...
