A Touch of Class
1973
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Melvin Frank (13 August 1913 – 13 October 1988) was an American screenwriter, film producer and film director. He is known for his partnership with Norman Panama and their work on films such as Mr. Blandings Builds His Dream House (1948), White Christmas (1954), and The Court Jester (1956).
- American
- 3; including Elizabeth Frank
- August 13, 1913, Chicago, Illinois
- October 13, 1988 (aged 75), Los Angeles, California
Melvin Frank (1913-1988) Writer. Producer. Director. IMDbPro Starmeter See rank. Melvin Frank was half of a famous screenwriting partnership. The other half of the collaborative effort was Norman Panama. The two men became close friends while attending the University of Chicago.
- January 1, 1
- Chicago, Illinois, USA
- January 1, 1
- Los Angeles, California, USA
Oct 15, 1988 · Melvin Frank, half of a prolific team that wrote, produced and directed some of Hollywood's wittiest romantic comedies, including ''Mr. Blandings Builds His Dream House,'' died of complications...
Melvin Frank (13 August 1913 – 13 October 1988) was an American screenwriter, film producer and film director. He is known for his partnership with Norman Panama and their work on films such as Mr. Blandings Builds His Dream House (1948), White Christmas (1954), and The Court Jester (1956).
Melvin Frank (13 August 1913 in Chicago, Illinois – 13 October 1988 in Los Angeles, California) was an American screenwriter, film producer and film director. He is known for his work on films such as Mr. Blandings Builds His Dream House (1948), The Court Jester (1956), and A Touch of Class (1973).
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Melvin Frank | Rotten Tomatoes. Highest Rated: 97% The Court Jester (1955) Lowest Rated: 44% The Prisoner of Second Avenue (1975) Birthday: Aug 13, 1913. Birthplace: Chicago, Illinois, USA....
Tweet. May contain spoilers. Now streaming on: Rent. Powered by JustWatch. Melvin Frank ’s “A Touch of Class” is a sharp-edged, often very funny dissection of a love affair between two possibly incompatible people. But then it gets serious with itself and ends on a note that doesn’t satisfy us.
