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Feb 8, 2024 · The I-Threes first sang backup for Marley and The Wailers on the single "Jah Live," then began touring with him in 1975, a gig they held until Marley's death in 1981. It was an informative experience for Mowatt, who recalled later (via Judy Mowatt Outreach Ministries) that Marley was a dedicated writer and performer who maintained a rigorous rehearsal schedule.
- William Fischer
Years active. 1967 – present. Labels. Tuff Gong, Shanachie Records. Judy Mowatt performing as a part of the I-Threes in Zurich, May 1980. Judith Veronica Mowatt, OD (born 1952) is a Jamaican reggae artist. As well as being a solo artist, from 1974 she was also a member of the I Threes, the trio of backing vocalists for Bob Marley & The Wailers.
Mowatt was associated with Bunny Livingston/Wailer in the early 1970s, and wrote some of the tracks he recorded. At that time, for legal reasons, she used the names Juliann and Jean Watt.[1] On The Wailers albumBurnin' (1973), two songs written by their singer Bunny Wailer were credited to Judy Mowatt under the pseudonym Jean Watt: "Hallelujah ...
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May 10, 2021 · “Bob Marley was willing to die to get his message of love, his message of black liberation out to the world, he believed every word he sang,” Mowatt said. Bob Marley died of skin cancer just 13 months later on May 11, 1981. In This Story: Bob Marley, judy mowatt. Follow us on Facebook, Twitter, Flipboard and Google News.
Feb 5, 2011 · The group became famous providing rich harmonies for Bob Marley’s performances and recordings from 1974 until his death 10 years later. Judy Mowatt shares with Sunday Observer her thoughts on ...
Reggaeology presents: The Mellow Moods of Judy Mowatt. By 3 years ago. Judy Mowatt is historically synonymous with Bob Marley, and her work with the Gaylettes, The I-Threes, and her shepherding Ziggy Marley & The Melody Makers on tour in the band’s early years. But it is her journey as a solo act spanning 5 decades, that leaves us with one of ...
Nov 11, 1987 · Sunday night at Kilimanjaro, Mowatt dedicated a rousing version of UB40's "Sing Our Own Song" to the blacks of South Africa and displayed her feminist leanings in "Hush Baby Mamma."
