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  1. Sanjay Leela Bhansali (Gujarati: [ˈsəndʒeː ˈlilɑː ˈbʱəɳsɑliː]; born 24 February 1963) is an Indian filmmaker, producer and music composer, who is known for his work in Hindi films. He is the recipient of several awards , including seven National Film Awards and 12 Filmfare Awards (of which five were for Best Director ), in addition ...

  2. Sanjay Leela Bhansali is among the most celebrated Film Makers of the Bollywood. Having worked with the biggest stars of Indian Film Industry, Bhansali is the most sought-for director of the Bollywood. He started his career as an assistant director to Vidhu Vinod Chopra. If one has to name his 'niche' genre, it would definitely be Mega-Musicals.

    • January 1, 1
    • 3 min
    • Mumbai, India
  3. May 22, 2024 · Sanjay Leela Bhansali ‘s magnum opus debut series “ Heeramandi: The Diamond Bazaar ” is a global hit for Netflix, dancing to second position on the streamer’s worldwide non-English TV ...

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  5. May 2, 2024 · The renowned Indian director Sanjay Leela Bhansali, who created and directed the widely anticipated Hindi-language series which premiered on Netflix on May 1, says he wanted to reimagine the world ...

    • 3 min
    • Astha Rajvanshi
  6. May 2, 2024 · Bhansali’s films take place all over India, taking on regionally specific dialects, clothing, and culture. “Hum Dil De Chuke Sanam” and “Ram Leela” hail from Bhansali’s Gujarati ...

    • Proma Khosla
  7. Sanjay Leela Bhansali. Producer: Bajirao Mastani. Sanjay Leela Bhansali is among the most celebrated Film Makers of the Bollywood. Having worked with the biggest stars of Indian Film Industry, Bhansali is the most sought-for director of the Bollywood. He started his career as an assistant director to Vidhu Vinod Chopra. If one has to name his 'niche' genre, it would definitely be Mega-Musicals ...

  8. Aug 10, 2021 · Sanjay Leela Bhansali Talks ‘Padmaavat’ Trauma, ‘Devdas’ Cannes Triumph as he Reflects on a 25-Year Career (EXCLUSIVE) Indian film director Sanjay Leela Bhansali has seen it all – from ...

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