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Byun is best known for her trilogy documenting the present and past lives of "comfort women" who were abducted and forced into sexual servitude by the Japanese army in World War II. Byun's efforts have lent a significant push to the women's demands for a formal apology and compensation from the Japanese government.
- Director, Writer, Cinematographer
- Young-Joo Byun
Byun Young-joo (born December 20, 1966) is a South Korean film director. Her films explore issues of women's rights and human rights . Career. Byun Young-joo graduated with a law degree from Ewha Womans University and did her graduate studies at the Department of Theater and Film at Chung-Ang University .
Byun Youngjoo, born in 1966, may have completed a Bachelor’s degree in Law at the prestigious Ehwa Womans University, but it was in film, at Chung-Ang University, that she decided to continue her studies. As one of the founding members of the feminist film collective Bariteo (in 1989), she was in charge of the cinematography for the (1990) and (1990), which documented the sexual harassment ...
A Woman Being in Asia. Light Store. Directing. Acting. Camera. Writing. Production. Editing. She is a founding member of the women's feminist film collective "Bariteo," which was established in 1989.
Helpless (Korean: 화차; RR: Hwa-cha) is a 2012 South Korean psychological thriller film written and directed by Byun Young-joo based on the bestselling novel All She Was Worth (火車) by Japanese writer Miyabe Miyuki. A man searches for his fiancée who vanished without a trace, only to discover dark, shocking truths about her.
Oct 11, 2017 · October 11, 2017. Byun Young-joo is a South Korean film director whose films explore issues of women's rights and human rights. She is best known for her trilogy documenting the present and past lives of the Korean women who were forced into sexual slavery by the Japanese Imperial Army during World War II, and known as “comfort women.”.
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Feb 1, 2014 · Jongwoo Jeremy Kim. positions (2014) 22 (1): 7–39. https://doi.org/10.1215/10679847-2383912. Share. Tools. This essay does not concern the history of comfort women per se; rather, it treats disruption and transgression in the discourse of comfort women, as filmmaker Byun Young-Joo sets in motion in The Murmuring (1995).
