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Shola is set to direct the Searchlight feature based on Leigh Montville’s novel “Sting Like a Bee: Muhammed Ali vs. The United States of America” that centers on Muhammed Ali’s refusal to be inducted into the US Army during the Vietnam War. He is developing a variety of projects across Film and TV.
- Touch
Written, directed and produced by Shola Amoo. Co-produced by...
- Dear Mr Shakespeare
A reinterpretation of Shakespeare's Othello. An exploration...
- The Last Tree
the last tree . amazon prime . netflix (uk) bfi iplayer. hbo...
- Touch
Sep 19, 2019 · Shola Amoo: the man behind the British Moonlight. Danny Leigh. A period movie with a twist, The Last Tree is the coming-of-age story of a boy struggling to find his identity in both the English...
Director. Writer. Producer. IMDbPro Starmeter See rank. Shola Amoo is known for The Last Tree (2019), A Moving Image (2016) and Dear Mr Shakespeare: Shakespeare Lives (2016). More at IMDbPro.
- Director, Writer, Producer
- Shola Amoo
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Writer-director Shola Amoo and actor Sam Adewunmi are the rising talents behind brilliant London drama ‘The Last Tree’. Written by. Phil de Semlyen. Tuesday 24 September 2019. Fresh, emotional...
Sep 20, 2019 · Following a string of acclaimed shorts and a feature film exploring characters caught between urban and rural spaces, writer-director Shola Amoo’s latest work, The Last Tree, digs into the specific identity crisis of being a young black man of dual heritage in England.
Sep 11, 2019 · Between London, Lagos and Lincolnshire: Shola Amoo on The Last Tree. The writer-director behind A Moving Image is back with The Last Tree, a story of a Nigerian boy being fostered in rural Lincolnshire. Shola Amoo explains why upending audience expectation is all part of his plan. 11 September 2019. By Josh Slater-Williams. The Last Tree (2019)
Sep 25, 2019 · Shola Amoo: ‘The media’s depiction of blackness needs constant analysis’ The British-Nigerian filmmaker on his intimate portrait of black masculinity, The Last Tree. I n 2016 Shola Amoo announced himself as a vital new voice in British cinema with his debut feature A Moving Image, about gentrification in Brixton