Gia
1998
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Dimitris Athanitis. Director: Invisible. An awarded Greek film director, born in Athens, with cinema and architecture studies. His debut film Addio Berlin gained Jury's Prize and Critics Mention at Thessaloniki FF for it's innovating style, while No Sympathy for the Devil was nominated for Golden Alexander and gained the Best Actress Award in ...
- Director, Writer, Producer
- Dimitris Athanitis
Dec 12, 2022 · Acclaimed filmmaker Dimitris Athanitis takes on Greek tragedy in his latest film; Medea reinvents the myth and Eurypides’ famous play, with Alexandra Kazazou delivering an understated tour-de-force performance in the titular role.
Acclaimed filmmaker Dimitris Athanitis takes on Greek tragedy in his latest film; Medea reinvents the myth and Eurypides’ famous play, with Alexandra Kazazou delivering an understated tour-de-force performance in the titular role.
Dimitris Athanitis is known as an Director, Writer, Actor, Co-Producer, Producer, and Translator. Some of their work includes No Sympathy for the Devil, 2000 + 1 Shots, Invisible, Planet Athens, Three Days Happiness, The Gaze Adventure, Addio Berlin, and Medea.
Nov 15, 2017 · Born in Athens, Dimitris Athanitis studied cinema and architecture. Member of the European and Greek Film Academy, he has directed seven feature and three short films. His last film “ Invisible ” (2016) won 14 awards and screened at more than 35 film festivals.
Mar 17, 2021 · Born in Athens, filmmaker and writer Dimitris Athanitis studied cinema and architecture. A member of the European and Greek Film Academy, he has directed ten feature and four short films: “Medea” (2021), “Labyrinth” (documentary, 2019), “Invisible” (2016), “Three Days Happiness” (2012), “Athens Underground” (short, 2011), “Madonna calls Fassbinder” (short, 2009 ...
Through mostly silent excerpts of six of his films, Athanitis approaches the multiple function of the gaze as a main compositional element of the cinematic world, as a carrier of the cinematic journey, but also approches the special position of the viewer.
