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  1. www.eileenrose.com › long-shot-novenaEileen Rose - Long Shot Novena

    David Bull: guitar and vocals. Glen Matlock, Barry Payne, Seggs: bass. Mark Price: drums. Orlando Harrison – keyboards. Eileen's second full-length album, 'Long Shot Novena' was released in February 2002, through Rough Trade in the UK and Sanctuary in the US.

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  3. www.youtube.com › watchLong Shot Novena - YouTube

    Provided to YouTube by Beggars Group Digital Ltd.Long Shot Novena · Eileen RoseLong Shot Novena℗ 2002 Rough Trade Records LtdReleased on: 2002-02-25Associate...

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  4. en.wikipedia.org › wiki › Glen_MatlockGlen Matlock - Wikipedia

    Glen Matlock (born 27 August 1956) [1] is an English musician, best known for being the bass guitarist in the original line-up of the punk rock band the Sex Pistols. He is credited as a songwriter on 10 of the 12 songs on the Sex Pistols' only officially released studio album, Never Mind the Bollocks, Here's the Sex Pistols, although he had ...

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  6. www.eileenrose.com › aboutEileen Rose - About

    The follow up, 2002’s “Long Shot Novena” - which features members of Del Amitri, legendary British punk band The Ruts and sometime Sex Pistol Glen Matlock - was even more rapturously received. The Times found it “stunning”, while Uncut marveled at the “rare power, polish and perception”.

  7. www.discogs.com › release › 1817776-Eileen-Rose-LongEileen Rose – Long Shot Novena (2002, CD) - Discogs

    Album, Enhanced. View credits, reviews, tracks and shop for the 2002 CD release of "Long Shot Novena" on Discogs.

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  8. www.msn.com › en-us › musicGlen Matlock’s Side of the Sex Pistols Story ... - MSN

    Glen Matlock, bassist and songwriter for the Pistols, was just 20 years old when he left the band, before Bollocks was even released. At the time, it was reported that he’d been fired due to ...

  9. en.wikipedia.org › wiki › Eileen_RoseEileen Rose - Wikipedia

    The Sex Pistols' Glen Matlock and The Ruts' Seggs both feature on bass. Long Shot Novena saw Rose experimenting with sequencing and drum programming for the first time. The UK's Daily Mirror newspaper described the album's sound as "spit 'n' sawdust country filtered through the Velvet Underground". [6]