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Art Direction (Black-and-White) - Art Direction: Robert Luthardt; Set Decoration: Edward G. Boyle Cinematography (Black-and-White) - Joseph LaShelle Writing (Story and Screenplay--written directly for the screen) - Billy Wilder, I. A. L. Diamond
Best Art Direction, Black-and-White Best Art Direction, Color; Who's Afraid of Virginia Woolf? – Art Direction: Richard Sylbert; Set Decoration: George James Hopkins‡ The Fortune Cookie – Art Direction: Robert Luthardt; Set Decoration: Edward G. Boyle; The Gospel According to St. Matthew – Art Direction and Set Decoration: Luigi Scaccianoce
Best Art Direction (Black-and-White) The Fortune Cookie Robert Luthardt [Art Direction] and Edward G. Boyle [Set Decoration] The Gospel According to St. Matthew Luigi Scaccianoce; Is Paris Burning? Willy Holt [Art Direction], Marc Frederix [Set Decoration] and Pierre Guffroy [Set Decoration] Mister Buddwing
The Academy Award for Best Production Design recognizes achievement in art direction on a film. The category's original name was Best Art Direction, but from 1939 through 1956 and again from 1959-1966, it was divided into two categories Best Art Direction (Black-and-White) and Best Art Direction (Color).
This year, due to the waning popularity of black-and-white films, Best Cinematography, Art Direction, and Costume Design, previously divided into separate awards for color and monochrome films, were merged into single categories.
Best PictureBest DirectorIn the Heat of the Night — Walter ...Mike Nichols – The Graduate ‡ Arthur Penn ...Rod Steiger – In the Heat of the Night as ...Katharine Hepburn – Guess Who's Coming to ...George Kennedy – Cool Hand Luke as ...Estelle Parsons – Bonnie and Clyde as ...Guess Who's Coming to Dinner – William ...In the Heat of the Night – Stirling ...People also ask
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Art Direction (Black-and-White) - Art Direction: Hal Pereira, Tambi Larsen; Set Decoration: Sam Comer, Robert Benton Directing - Martin Ritt Writing (Screenplay--based on material from another medium) - Irving Ravetch, Harriet Frank, Jr.
Art Direction (Black-and-White) - Art Direction: Lyle Wheeler, Leland Fuller; Interior Decoration: Thomas Little Directing - Otto Preminger Writing (Screenplay) - Jay Dratler, Samuel Hoffenstein, Betty Reinhardt
