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  1. Erik Nelson
    Documentary film maker

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    • American documentary film director

      • Erik Nelson is an American documentary film director and television producer. Nelson has produced and directed several films, television specials and television programs such as Ripley's Believe It or Not!, Mega Disasters, When Good Times Go Bad, What Were You Thinking?, Unsolved History, Prehistoric Predators and More than Human.
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  1. Erik Nelson is the director of The Cold Blue, which airs on HBO on June 6, and the 2017 documentary A Gray State. He is the producer of Werner Herzog's award-winning documentaries Grizzly Man, Encounters at the End of the World, Into the Abyss and Cave of Forgotten Dreams.

  2. Nov 3, 2017 · In a sea of recent true-crime docs, Erik Nelson’s A Gray State stands apart as a truly riveting psychological drama, complete with widespread conspiracy theories, political currents, and penultimate tragedy.

    • Liz Nord
  3. Jan 31, 2023 · All of his material was still there. I began to submerge myself into not only his trailer, but a seemingly endless series of behind-the-scenes videos he had filmed documenting the making of his epic. I instantly knew two things. One, this was a gifted filmmaker at work.

    • Erik Nelson
  4. Nov 2, 2017 · Erik Nelson’s documentary centers on the aspiring filmmaker David Crowley, whose violent death became a cause for conspiracy theorists.

    • Erik Nelson
  5. Jun 4, 2019 · What happens when you find previously unseen footage shot by William Wyler in WWII? Read all about how director Erik Nelson tracks down survivors and creates his own gripping story from the footage.

  6. Dec 10, 2019 · Erik Nelson describes his documentary “The Cold Blue” as “the garage band of movies” — he didn’t have the large team or crew other documentary contenders have. “The Cold Blue” is a World War...

  7. Nov 10, 2017 · In the new documentary A Gray State, filmmaker Erik Nelson—who produced several of Werner Herzog's recent documentaries, and Herzog serves as an executive producer here—navigates the copious materials that Crowley left behind, piecing together a gripping, mysterious portrait of a family victimized by a confluence of violent mythology.

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