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Clare Kummer (January 9, 1873 — April 21, 1958) was an American composer, lyricist, and playwright.
The first woman to win a Pulitzer Prize for Best Play was not until Susan Glaspell in 1931, who won for Alison’s House. In addition to her prolific career as a playwright — 18 of her plays were performed on Broadway — Clare Kummer published an extraordinary amount of music.
DateTypeTitle1900Sheet music: songOld Love Letters. Song.1902Sheet music: songA Rich C**n’s Babe1903Sheet music: song1903Sheet music: songI’m a-goin to change my Man. [Song.]Jun 18, 2019 · Clare Kummer's The Choir Rehearsal by Sarah Whitfield. As is the case with many women who worked in professional theatre in the first half of the 20th century, Clare Beecher Kummer (1873-1958) appears to have disappeared from the histories of Broadway.
Clare Kummer. Writer: A Successful Calamity. Composer, songwriter ("Dearie"), playwright Plays: "and author, educated at the Packer Institute and in private music study. She wrote the Broadway stage scores for "90 in the Shade", "One Kiss", "Annie Dear", "Madame Pompadour", and "The Three Waltzes".
- January 9, 1873
- April 21, 1958
Clare Kummer. Writer: A Successful Calamity. Composer, songwriter ("Dearie"), playwright Plays: "and author, educated at the Packer Institute and in private music study. She wrote the Broadway stage scores for "90 in the Shade", "One Kiss", "Annie Dear", "Madame Pompadour", and "The Three Waltzes".
- Writer, Soundtrack
- January 9, 1873
- Clare Kummer
- April 21, 1958
Rollo's Wild Oat is a 1920 comedic play by Clare Kummer . Background. The play first had some tryout runs, including in upstate New York [1] [2] and Philadelphia in January-February 1920, [3] but a middling reception delayed a planned Broadway debut.
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Clare Kummer. (c. 1873—1958) Quick Reference. (1873?–1958), playwright. She began her career as a songwriter, but enjoyed a huge success with her first produced play, Good Gracious Annabelle (1916), followed by the hit William Gillette vehicle ... From: Kummer, Clare [Rodman] in The Oxford Companion to American Theatre »
