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  1. Jang Joon-hwan

    Jang Joon-hwan

    South Korean film director

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  1. Jang Joon-hwan (born January 18, 1970) is a South Korean film director. Life and career. A graduate of Sungkyunkwan University, Jang's first directing job was on the 1994 short film 2001 Imagine.

  2. Joon-Hwan Jang was born on 18 January 1970 in Jeonju, Korea. He is a director and writer, known for Save the Green Planet! (2003), 1987: When the Day Comes (2017) and Hwayi: A Monster Boy (2013). He has been married to Moon So-ri since 24 December 2006. They have one child.

    • Director, Writer, Cinematographer
    • January 18, 1970
    • Joon-Hwan Jang
  3. Jan 12, 2018 · Jang, best known for the surreal political satireSave the Green Planet” and equally eccentric crime thriller “Hwayi: A Monster Boy” has shed all stylistic quirks, gaining gravity...

    • Profile
    • Director
    • Screenwriter
    • Awards
    Name:Jang Joon-Hwan
    Hangul:장준환
    Birthdate:January 19, 1970
    Birthplace:South Korea
    Save the Green Planet! | Jigureul jikyeora! (2003)* Phantom: The Submarine(1999)
    Best Film ("1987: When The Day Comes") - 2018 (39th) Blue Dragon Film Awards- November 23, 2018
    Best Director ("1987: When The Day Comes") - 2018 (55th) Daejong Film Awards- October 22, 2018
    Grand Prize (Daesang) ("1987: When The Day Comes") - 2018 (54th) BaekSang Arts Awards- May 3, 2018
  4. 1987: When the Day Comes: Directed by Joon-Hwan Jang. With Kim Tae-ri, Kim Yoon-seok, Gang Dong-won, Yeo Jin-goo. In 1987 Korea under an oppressive military regime, the unlawful interrogation and death of a college student ignite ordinary citizens to fight for the truth and bring about justice.

    • (7K)
    • Drama, History, Thriller
    • Jung Sung Ho, Joon-Hwan Jang
    • 2018-01-12
  5. Jul 24, 2018 · One of South Korea’s most intriguing filmmakers, we don’t hear from Director Jang Joon-hwan too often, but when we do, as in the cases of his films, Save the Green Planet, and Hwayi: A Monster...

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  7. Jang Joon-hwan (b. 1970) is an influential figure of the Korean New Wave that surged into international prominence in the late 1990s and early 2000s led by a group of young male directors—Park Chan-wook, Bong Joon-ho, Hong Sang-soo and Lee Chang-dong ...

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