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  1. rateyourmusic.com › two-sides-to-every-storyTwo Sides to Every Story by Tiger Okoshi (Album): Reviews ...

    Two Sides to Every Story, an Album by Tiger Okoshi. Released in 1994 on JVC (catalog no. 2039; CD).

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  3. en.wikipedia.org › wiki › Tiger_OkoshiTiger Okoshi - Wikipedia

    Okoshi collaborated in the 1970s with Gary Burton, and played with the Mike Gibbs Orchestra at Carnegie Hall in 1974. Following this he toured with Buddy Rich. In the early 1990s, he played in George Russell's Living Time Orchestra and recorded with Bob Moses.

  4. www.jazz-jazz.com › 2021/04/10 › tiger-okoshi-twoTiger Okoshi - Two Sides To Every Story (1994)

    Apr 10, 2021 · Artist: Tiger Okoshi. Title: Two Sides To Every Story. Year Of Release: 1994. Label: JVC. Genre: Jazz. Quality: flac lossless (tracks, log, scans) Total Time: 01:05:17. Total Size: 416 mb. WebSite: Album Preview.

  5. daveholland.com › recordings › tiger-okoshi-twoTiger Okoshi - Two Sides To Every Story - Dave Holland

    Oct 25, 1994 · Two Sides To Every Story Tiger Okoshi. Tiger Okoshi (trumpet) Jack DeJohnette (drums) Vic Firth (drums) Gil Goldstein (piano) Dave Holland (bass) Mike Stern (acoustic guitar) (electric guitar)

  6. www.amazon.com › Two-Sides-Every-Story-XRCD › dpTiger Okoshi - Two Sides to Every Story - Amazon.com Music

    Feb 11, 2007 · Extended resolution CD; trumpet player is joined by Mike Stern, Gil Goldstein, Dave Holland & Jack DeJohnette.

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  7. www.discogs.com › release › 2553610Tiger Okoshi – Two Sides To Every Story (1994, CD) - Discogs

    View credits, reviews, tracks and shop for the 1994 CD release of "Two Sides To Every Story" on Discogs.

  8. www.stereophile.com › recordingofthemonth › 847Recording of February 1995: Two Sides to Every Story ...

    Feb 25, 1995 · TIGER OKOSHI: Two Sides to Every Story Tiger Okoshi, trumpet; Mike Stern, electric guitar; Gil Goldstein, acoustic piano; Dave Holland, acoustic bass; Jack DeJohnette, drums JVC JVC-2039-2 (CD only). Jim Anderson, eng.; Akira Taguchi, prod. DDD? TT: 65:20 In recorded music, the artistic merit of the music is not entirely separable from the sonic quality of the recording. It requires an act of ...