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  1. Marion Morgan (January 4, 1881 – November 10, 1971) was an American choreographer and motion picture screenwriter and the longtime romantic partner of motion picture director Dorothy Arzner. Arzner lived for the last 40 years of her life with Morgan.

  2. Marion Morgan (born Marion Swires; December 14, 1923 – October 21, 2013) was an American vocalist who sang with big band leader Harry James.

  3. Marion Morgan (January 4, 1881, New Jersey – November 10, 1971, Los Angeles, CA) was a choreographer and motion picture screenwriter and the longtime companion of motion picture director Dorothy Arzner. Arzner lived for the last 40 years of her life with Morgan.

  4. Life Can Be Beautiful (1946) - Marion Morgan. Croonr1. 21.9K subscribers. Subscribed. 23. 831 views 5 years ago. from Columbia 37156 78 rpm with Harry James and his orchestra Music by Jimmy...

  5. Marion Morgan. See Photos. View the profiles of people named Marion Morgan. Join Facebook to connect with Marion Morgan and others you may know.

  6. Marion Morgan was a choreographer, dancer, and writer. She was director of the Marion Morgan Dancers, who performed pantomime dance dramas on the vaudeville circuit from the mid-1910s until the mid-1920s, when Morgan began to focus on film production.

  7. Jul 22, 2018 · Love (Your Spell Is Everywhere) - Harry James & Marion Morgan, 1947. Love (Your Spell Is Everywhere) - Harry James and His Orchestra Recorded December 19, 1947 in Hollywood, California Released...

  8. Jan 11, 2012 · The Marion Morgan Dancers performed throughout the United States and specialized in interpretative dance often based on classical legends and antiquity. California native, Marion Morgan was responsible for the fashion shows in the movie 'Fashions for Women' and the choreography in 'Ten Modern Commandments'.

  9. Marion Morgan was an American vocalist who sang with Harry James from 1946 to 1949 before embarking on a solo career that flourished throughout the early 1950s.

  10. We know that she maintained a long-term relationship with Marion Morgan, a dancer who headed her own dance troupe and who worked as a choreographer on several of Arzner’s films. Mayne notes that although Dorothy Arzner kept her life private, in her dress and demeanor she “flaunted a style that signified ‘lesbian’” (1994, 2).

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