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  1. Alison Watt OBE FRSE RSA (born 1965) is a British painter who first came to national attention while still at college when she won the 1987 Portrait Award at the National Portrait Gallery in London. ID: 4727208

  2. Alison Watt OBE FRSE RSA (born 1965) is a British painter who first came to national attention while still at college when she won the 1987 Portrait Award at the National Portrait Gallery in London. [1] [2] [3] Biography. Alison Watt. Self-portrait, 1986–87. Oil on canvas, 30.80 x 30.80 cm. Scottish National Portrait Gallery.

  3. www.artnet.com › artists › alison-wattAlison Watt | Artnet

    Alison Watt is a contemporary Scottish painter known for her realistic depictions of drapery and figures. View Alison Watts 93 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices.

    • British
  4. Jun 1, 2021 · Alison Watt | A Portrait Without Likeness. 2. Portrait (Portrait) From Sat 17 Jul 2021 - Sun 9 Jan 2022. This exhibition has now ended! About. “One of the country’s most celebrated artists” The Times. Alison Watt (born 1965) is widely regarded as one of the leading painters working in the UK today.

  5. Alison Watt is a widely acclaimed Scottish figurative artist who was awarded an Order of the British Empire in 2008. Her meticulously-rendered and often monumental paintings initially stemmed from portraiture but now have come to suggest the presence of human form in the very absence of its representation. Read More.

    • British
  6. Alison Watt. Born in Greenock, Watt studied at Glasgow School of Art. In 1987, while still a student, she won the National Portrait Gallery's prestigious annual award. She subsequently became well known for her paintings of figures, often female nudes.

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  8. Jul 16, 2021 · A portrait without likeness: an interview with Alison Watt. Posted 16 Jul 2021, by Susan Mansfield. Few contemporary painters engage as passionately with the art of the past as Alison Watt. She is often to be found in galleries and museums looking long and hard at paintings. 'Looking back is the most important part of my practice,' she says.

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