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  1. Michael Tuchner

    British film director

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  1. Michael Tuchner (1932-2017) was a British film and theatre director of German-Jewish origin. He directed TV plays, documentaries, commercials and feature films such as The Likely Lads, The Hunchback of Notre Dame and Back to the Secret Garden.

  2. Michael Tuchner (1932-2017) was a director and producer of TV shows and movies, such as Play for Today, Whicker's World and Fear Is the Key. He was born in Berlin, Germany, and moved to Britain with his family as a child.

    • Director, Producer, Editor
    • June 24, 1932
    • Michael Tuchner
    • February 17, 2017
  3. Michael Tuchner Biography (1934-) Original name, Michael John Tuchner; born June 24, 1934, in Berlin, Germany;immigrated to the United States, 1978; son of Martin and Rosa (maiden name, Wolochwiansky) Tuchner; married Gillian Barton Cook, October 9, 1940 (divorced, 1977); married Geraldine June, June 2, 1981; children: Rebecca, Louise, Jonathan.

  4. www.thetimes.com › article › michael-tuchner-tbh8tsgczMichael Tuchner - The Times

    Michael Tuchner. Director of Villain who passed a bizarre test to satisfy Richard Burton and later gave Ben Kingsley his first film role. Before Michael Tuchner could direct his first feature film, a gritty, Krayinspired gangland drama titled Villain (1971), he had to pass a test.

  5. Jan 17, 2017 · Michael Tuchner is a director and editor who has worked on various TV shows and movies since 1951. He is known for his work on Fear Is the Key, Tales of the Unexpected, Villain, Back to the Secret Garden, The Hunchback of Notre Dame, Wilt, Trenchcoat, and The Likely Lads.

  6. www.bafta.org › heritage › in-memory-ofMichael Tuchner | BAFTA

    Michael Tuchner. Director. 24 June 1934 to 17 February 2017. A German director who moved to Britain as a child, Tuchner’s prolific career saw him direct over 40 movies for the big and small screen including Villain (1971), The Likely Lads (1976) and The Hunchback of Notre Dame (1982).

  7. When director Michael Tuchner passed away in early 2017, The Guardian described him in their obituary as, “an unshowy man who allowed the performances and narrative to dominate a film.”

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