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  1. en.wikipedia.org › wiki › Abrar_AlviAbrar Alvi - Wikipedia

    Abrar Alvi (1 July 1927 – 18 November 2009) was an Indian film writer, director and actor. Most of his notable work was done in the 1950s and 1960s with Guru Dutt. He wrote some of the most respected works of Indian cinema, including Sahib Bibi Aur Ghulam (1962), Kaagaz Ke Phool (1959) and Pyaasa (1957), which have an avid following the world ...

  2. www.imdb.com › name › nm0023551Abrar Alvi - IMDb

    Abrar Alvi was born on 1 July 1927 in Ayodhya, India. He was a writer and actor, known for Sahib Bibi Aur Ghulam (1962), Baharen Phir Bhi Aayengi (1966) and Professor (1962). He died on 18 November 2009 in Mumbai, Maharashtra, India.

    • Writer, Actor, Director
    • July 1, 1927
    • Abrar Alvi
    • November 18, 2009
  3. Abrar Alvi was born on July 1, 1927 in Ayodhya, India. He was a writer and actor, known for Sahib Bibi Aur Ghulam (1962), Baharen Phir Bhi Aayengi (1966) and Professor (1962). He died on November 18, 2009 in Mumbai, Maharashtra, India.

    • July 1, 1927
    • November 18, 2009
  4. In this video screenwriter Abrar Alvi talks... An edited collection of excerpts from the Channel 4 documentary In Search of Guru Dutt of the Movie Mahal series.

    • 9 min
    • 13.7K
    • Tangible Emotions
  5. www.cinemaazi.com › people › abrar-alviAbrar Alvi - Cinemaazi

    Abrar Alvi undertook a great deal of research for the script of the iconic Pyaasa (1957). The character played by Waheeda Rehman , Gulabo, was based on the daughter of a Gujarati temple priest who ran away from her family after her lover abandoned her and became a sex worker.

  6. Dec 22, 2020 · Guru and disciple: A tale of two film-makers. Updated - December 22, 2020 at 03:45 PM. An author recalls the special bond between Guru Dutt and Abrar Alvi, and the magic they wielded together....

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  8. Dec 6, 2012 · Ten Years With Guru Dutt: Abrar Alvis Journey, a play on Dutt leaves you with a similar feeling, albeit in a good way. A matinee hero, ace director and producer — call him what you may ...

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